Dark Origins Return: Revisionist Robin Hood Reclaims His Violent Roots
TL;DR
From Robin Hood’s violent, subversive roots in 12th-century ballads to a sanitised, noble hero in Henry VIII-era chronicles and 20th-century cinema, new revisionist works—most notably Michael Sarnoski’s The Death of Robin Hood and Amy S Kaufman’s The Traitor of Sherwood Forest—reclaim his dark origins, portraying him as a man shaped by and shaping power through storytelling, with grim violence and ambiguous ethics that echo today’s political climate.
Topics:entertainmentculture#culture#disney#medieval-legends#revisionist-cinema#robin-hood#the-death-of-robin-hood
- 'He was not a hero': How the dark, violent medieval origins of Robin Hood were erased BBC
- A Robin Hood You May Not Want to Root for The Atlantic
- The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama The Guardian
- Hugh Jackman on His Brutal New ‘Robin Hood,’ and Why He’s Suddenly Dying in All His Movies IndieWire
- 'Death of Robin Hood' Director on Casting Hugh Jackman Variety
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