Sorkin Frames A Few Good Men Broadway Return as New Play, Not Revival

Aaron Sorkin has returned to Broadway to 'polish' his 1989 play A Few Good Men, treating the production as a new work rather than a revival. Bradley Whitford, who originally played Daniel Kaffee, now stars as Judge Nathan Jessep. The production begins previews on October 8 and opens at the Vivian Beaumont Theater on October 29.
Key points
- Aaron Sorkin collaborated with director Michael Arden to refine the dialogue of A Few Good Men for its first Broadway return since 1989.
- Sorkin described the changes as a 'dialogue polish,' noting that jokes were tightened while the plot and characters remained unchanged.
- Bradley Whitford, who played Daniel Kaffee in the original 1990 Broadway run, now portrays Judge Nathan Jessep in the new production.
- The production begins previews on October 8 and officially opens at the Vivian Beaumont Theater on October 29.
- Sorkin emphasized that the play explores themes of legal arbitration versus dominance in a shrinking global context.
Background
A Few Good Men was originally adapted into a 1992 film by Rob Reiner, with Sorkin and William Goldman contributing to the screenplay. The Broadway premiere occurred in 1989. This 2026 return marks the first time the play has returned to the Broadway stage since its initial run. The archive articles provided do not contain relevant background information for this specific story, as they cover unrelated topics such as Apple accessories, international incidents, and video game ports.
Why it matters
The return of a classic legal drama to Broadway highlights the enduring relevance of Sorkin's exploration of justice, cooperation, and legal systems in a changing world. The involvement of original cast member Bradley Whitford in a different role adds a layer of continuity and star power to the production.
What to watch
The production will begin previews on October 8, 2026, and officially open at the Vivian Beaumont Theater on October 29, 2026. Audiences and critics will evaluate the 'polished' dialogue and the casting choices, particularly Whitford's transition from Kaffee to Jessep.
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