NYFF 64 Launches With Gray’s ‘Paper Tiger’ and a Record Slate of World Premieres

The 64th New York Film Festival opens with James Gray’s ‘Paper Tiger’ and features an unusually high number of world premieres, including ‘Artificial’ and ‘You Can See Everything.’
Key points
- The festival runs from September 25 to October 12, 2026, at Lincoln Center.
- Opening night features ‘Paper Tiger,’ starring Adam Driver, Miles Teller, and Scarlett Johansson.
- ‘Artificial,’ a biopic about Sam Altman, world premieres after Amazon dropped the project.
- ‘You Can See Everything,’ a documentary on Elizabeth Holmes, joins the Spotlight lineup.
- Artistic director Dennis Lim emphasizes the political relevance of the current slate.
Background
The 64th New York Film Festival (NYFF) marks a significant shift in programming strategy, moving away from relying solely on films that have already premiered at major European festivals. Previous coverage noted that ‘Artificial’ was acquired by Neon in June after Amazon withdrew from the project, and ‘You Can See Everything’ had already generated buzz at Telluride. This year’s festival, running through October 12, aims to position New York as a primary launchpad for major releases rather than a secondary stop.
How outlets are covering it
Deadline and Variety both highlight the unprecedented number of world premieres, with Deadline noting that ‘Artificial’ and ‘Godzilla Minus Zero’ were secured early, while Variety frames the lineup as a response to a year light on festival fanfare. The Hollywood Reporter focuses on the logistical and social aspects, detailing the new Rolex-sponsored filmmakers lounge and the technical challenge of screening ‘Paper Tiger’ in 35 mm. Criterion emphasizes the artistic merit of ‘Paper Tiger’ and the urgency of ‘Artificial,’ while Variety’s Rebecca Rubin notes that artistic director Dennis Lim views all cinema as 'unavoidably political,' contrasting with the more neutral logistical focus of THR. All sources agree that the New York audience provides a unique, meaningful launch environment for filmmakers.
Why it matters
The concentration of high-profile world premieres at NYFF signals a growing influence for the festival in the global awards circuit. By securing titles like ‘Artificial’ and ‘Behemoth’ before they hit other major festivals, NYFF is positioning itself as a critical launchpad for films that address contemporary issues, from AI ethics to climate change, thereby enhancing its prestige and audience engagement.
What to watch
The festival will continue through October 12, featuring the closing-night selection ‘14th’ by Ava DuVernay. Audiences can expect further premieres of ‘A Statement’ and ‘Godzilla Minus Zero,’ with the festival’s non-competitive format allowing filmmakers to focus on audience reception rather than jury outcomes. Distribution deals for the premiering titles are expected to follow in the weeks after the festival concludes.
- NYFF Turns Up The Heat As ‘Godzilla’, ‘Artificial’, ‘NAZA’, ‘You Can See Everything’ Spark Festival Buzz Deadline
- At the New York Film Festival, Movies With Oomph The New York Times
- NYFF Boss on Artificial, Behemoth Premieres, Why Movies Are Political Variety
- New York Film Festival Kicks Off With James Gray, Tony Gilroy and Filmmakers Toast In New Lounge The Hollywood Reporter
- Previewing the 64th New York Film Festival The Criterion Collection
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