"Poor Things: A Cinematic Clout Chasing Monster Mash and Feminist Masterpiece"

Yorgos Lanthimos's latest film, "Poor Things," is an ambitious yet flawed fable that flatters its audience's prejudices instead of challenging them. The film, based on a novel by Alasdair Gray, follows Bella Baxter (Emma Stone), a woman whose mind matures at an accelerated rate due to a brain transplant. As Bella navigates Victorian-era eroticism and hypocrisy, the film satirizes gender roles and societal expectations. While Stone delivers a brilliant performance, the film's attempts at provocation and subversion feel forced and its depravity becomes rote. Ultimately, "Poor Things" falls short of its potential, opting for a wishy-washy anticlimax instead of a more impactful conclusion.
- ‘Poor Things’ Review: Is There Such a Thing as Cinematic Clout Chasing? The Ringer
- Poor Things review: Emma Stone comes to life in a feminist masterpiece The A.V. Club
- 'Poor Things' Review: Monster Mash The New York Times
- Poor Things Plugged In
- POOR THINGS Is a Wild, Libidinous Fairy Tale Nerdist
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