All articles tagged with #film review
Culture writer Sonny Bunch reviews Exit 8, a faithful film adaptation that uses its video-game premise to chart a man stuck in a doom loop and facing modern precarity, while Undertone toys with podcast storytelling—its eerie sound design works well in spots but the movie is let down by pacing and a relatively thin central premise.
Exit 8 follows The Lost Man as he loops through an Escher-like subway corridor, guided by rules about anomalies. The mood is claustrophobic with striking visuals and disturbing imagery, but the repetitive structure can feel tedious for a feature-length film, delivering mood more than momentum. Opens April 10, 2026; Film rating: 5.5/10.
Four new releases are reviewed: You, Me & Tuscany is buoyed by Halle Bailey but crippled by ugly visuals; Exit 8 creates an atmospheric loop-like mood yet drags; Hamlet as a modern London adaptation limps under busy camerawork and editing, despite Riz Ahmed's strong turn; Faces Of Death uses meta-horror to critique online content but doesn’t fully land. Overall, the round-up is mixed, with several high-potential ideas undercut by execution issues.
IndieWire’s review of You, Me & Tuscany describes Kat Coiro’s on-location romantic comedy as a soothing, if not especially surprising, plane-viewing option. Starring Halle Bailey and Regé-Jean Page, the film is praised for its charming performances and sun-drenched Tuscany visuals, but criticized for feeling familiar and light on depth, earning a C+ and positioning itself as a comfortable, easy watch for air travel rather than a standout entry.
Jonah Hill's Outcome tries to dissect cancel culture within a comeback drama but largely avoids a hard reckoning, while the piece also reviews You, Me & Tuscany, Exit 8, and Hamlet, noting a mix of ambition and flaws—from clunky visuals to uneven storytelling—across the slate.
New Yorker critic Richard Brody argues that Kristoffer Borgli’s The Drama uses Zendaya and Pattinson to spark discourse rather than develop depth, turning a romance into a puzzle-box that signals controversy and social commentary rather than genuine emotional life.
Boston-based dark comedy The Drama, starring Zendaya and Robert Pattinson, earns zero stars from the Globe critic who calls it an empty, tasteless provocation masquerading as a marital dramedy; the plot centers on Emma's shocking secret revealed to fiancé Charlie before their wedding, with friends Mike and Rachel present, and the marketing has kept the twist under wraps.
Early critics’ responses to The Drama are mixed, but Zendaya and Robert Pattinson are highlighted for strong central performances; Deadline hails Pattinson’s turn as a career-best, CBC calls it fascinating though potentially alienating, and the UK Guardian praises Kristoffer Borgli’s provocative style, while Australia’s review is harsher. Others like Mashable and Empire applaud the cringe-comedy edge, and Rotten Tomatoes sits around 85% on release weekend. The drama arrives in theaters on April 3.
In She Dances, Steve Zahn co-writes and stars as a reluctant father who accompanies his daughter and a friend to a Kentucky regional dance competition, turning a routine chaperone gig into a warm, lightly comic exploration of family bonds.
A documentary by Daniel Roher and Charlie Tyrell surveys the AI revolution through interviews with scientists and tech thinkers, explaining what AI is, how swiftly it can evolve, and the mix of doom and promise it could bring, ultimately presenting Roher’s 'apocaloptimist' stance that seeks a balanced, proactive approach to the looming AI future.
Tommy Shelby is haunted in 1940 as he confronts a Nazi counterfeit plot and a rival son, guided by Ada and Kaulo, while the film threads myth and Romany lore. Visually striking and fan-friendly, it leans into nostalgia but suffers from thin characterization (notably Duke) and overused tropes, delivering atmosphere over a decisive narrative. Netflix release, 1h52m, directed by Tom Harper and written by Steven Knight.
Ars Technica’s spoiler-free take calls Project Hail Mary a fantastic adaptation and a joyful, visually rich two-hour-46-minute space-buddy film that pairs Ryland Grace with the alien Rocky, balances science with heart, and is well worth seeing in theaters when it opens on March 20.
Deadline's Damon Wise critiques Reminders of Him as a gloomy, melodramatic Colleen Hoover adaptation, faulting its clumsy dialogue and convoluted past-present framing, though Maika Monroe and the cast manage to sustain the performance amid a bleak, overly sentimental finale.
A four-film review roundup centers Reminders Of Him as a tearful, mother-daughter drama about incarceration and stigma, anchored by Maika Monroe’s performance; Project Hail Mary blends space-b competently with a buddy-dram feel, highlighting Rocky the alien and Ryan Gosling’s charm; undertone offers a modern, ear-catching horror experience built from podcast culture and occult imagery; Protector is a blunt Taken-esque action film led by Milla Jovovich with a strong maternal angle. Overall, Reminders Of Him stands out for its emotional core, while the others deliver genre thrills with varying degrees of ambition.
Ryan Gosling leads a breezy, brainy space epic adapted from Andy Weir’s Project Hail Mary, blending mind‑stretching science with a buoyant alien partnership in a two‑and‑a‑half‑hour, action‑light blockbuster that emphasizes knowledge and collaboration over combat.