Broadway's Dog Day Afternoon: Strong Stagecraft, But Not The Film’s Haunting Power

TL;DR
A Broadway transfer of Dog Day Afternoon brings Jon Bernthal to the lead as Sonny in Rupert Goold’s production, using a rotating bank-set to stage the hostage drama with taut stagecraft. The adaptation offers a more explicit, sentimental take on Sonny and Leon and translates the film’s energy to live theater, but it ultimately cannot match Sidney Lumet’s movie for haunting power or ironic bite.
Topics:entertainmenttheater#al-pacino#broadway#dog-day-afternoon#jon-bernthal#stage-adaptation#theater
- 'Dog Day Afternoon' Broadway Review: Can't Rival the Movie's Power Variety
- ‘Dog Day Afternoon’ Review: A 1970s Classic, Onstage and Underbaked The New York Times
- 'Dog Day Afternoon' Theater Review: Jon Bernthal Leads Broadway Take The Hollywood Reporter
- ‘Dog Day Afternoon’ Review: A Robbery Revisited on Broadway WSJ
- Did Dog Day Afternoon on Broadway Make Reviewers Shout 'Attica'? Playbill
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