Painterly Landscapes: Mastering Controlled Multiple-Exposure Photography

Photographer Adam Gibbs tests a precise, brushstroke-like multiple-exposure workflow across the Canadian Rockies and Waterton, using a geared head and the Fujifilm GFX100S to capture up to eight in-camera exposures; the final image is saved as JPEG while the RAW frames can be stacked later, with blending modes like average that Gibbs favors, and wildfire-burned forests provide graphic patterns that suit this approach, turning harsh midday light into creative, painterly landscapes.