Met's 'Lincoln in the Bardo' Premiere Divides Critics Over Libretto and Structure
The Metropolitan Opera’s world premiere of Missy Mazzoli’s 'Lincoln in the Bardo' received mixed reviews, with critics praising the visual spectacle and emotional performances but criticizing the libretto and structural balance.
Key points
- The opera, based on George Saunders’ 2017 novel, is the first commissioned from a female composer by the Met.
- Peter Mattei and Everett Sobers delivered strong performances as Lincoln and Willie, respectively.
- Critics noted structural issues, including an unbalanced Act II and excessive text in the libretto.
- Yannick Nézet-Séguin’s conducting was praised for its smoothness and balance.
- The production runs through November 14, with Michael Hurst replacing Sobers on select dates.
Background
The Met Opera’s 2026-27 season includes other new works like Kevin Puts’ 'Silent Night' and revivals of classic operas. 'Lincoln in the Bardo' is part of a broader initiative to commission new operas from diverse composers.
How outlets are covering it
New York Classical Review praised the music and performances but criticized the libretto and structure. TheaterMania found the production atmospheric but lacking in melodic themes, calling it 'mostly disappointing.' Playbill highlighted the mixed reviews and noted the strong cast and visual design.
Why it matters
The premiere marks a significant moment for the Met Opera, as it is the first commission from a female composer. The mixed reviews highlight the challenges of adapting complex literary works into opera and the importance of balancing music, libretto, and staging.
What to watch
The production continues through November 14, with Michael Hurst replacing Everett Sobers on October 31 and November 14. The Met Opera’s 2026-27 season will feature other new works and revivals.
- Great music, moving moments vie with libretto, structural issues in Met premiere of “Lincoln in the Bardo” New York Classical Review
- Dua Lipa Among Famous Faces at Met Opera’s ‘Lincoln in the Bardo’ Premiere The New York Times
- Review: Lincoln in the Bardo at the Met Opera, Spooky for the Wrong Reasons TheaterMania
- 'Lincoln in the Bardo' takes a distinctly American grief to the Met stage NPR
- What Did Reviews Say About Lincoln in the Bardo at the Met Opera? Playbill
Want the full story? Read the original reporting
Read on New York Classical Review