Broadway Review: Bioh’s 'School Girls' Returns with Sharp Edge and Star Power

4 min read
Source: Vulture
Broadway Review: Bioh’s 'School Girls' Returns with Sharp Edge and Star Power
Photo: Vulture
TL;DR

Jocelyn Bioh’s 2017 comedy 'School Girls; Or, the African Mean Girls Play' has opened on Broadway at the Samuel J. Friedman Theatre. Directed by Whitney White, the production features Denée Benton and Jasmine Amy Rogers in a sharp, funny, and poignant look at colorism and teen rivalry in a 1986 Ghanaian boarding school. Critics praise the cast and direction, noting the play’s enduring relevance and the added weight of its themes in the current cultural climate.

Key points

  • The play opened on September 28, 2026, at the Samuel J. Friedman Theatre, produced by Manhattan Theatre Club.
  • It is the Broadway debut of Jocelyn Bioh’s one-act comedy, which premiered off-Broadway in 2017 and has since been staged in over 75 US theaters and in London.
  • The story is set in 1986 at the Aburi Girls Boarding School in central Ghana, focusing on a clique of students preparing for the Miss Ghana pageant.
  • Denée Benton plays Paulina, the reigning queen bee, while Jasmine Amy Rogers plays Ericka, a transfer student from Ohio whose lighter skin gives her an advantage in the eyes of the pageant recruiter.
  • Whitney White directs the production, which features a cast including Patina Miller, Heather Alicia Simms, Erin Morton, Nia Otchere-Sarfo, Jordan Rice, and Lucia Aremu.
  • The play is based in part on the real-life story of Yayra Erica Nego, a Minneapolis-born model who won Miss Universe Ghana in 2011 despite not being born in Ghana.

Background

Jocelyn Bioh’s 'School Girls; Or, the African Mean Girls Play' first premiered off-Broadway in 2017 and quickly became a regional theater favorite. It transferred to Los Angeles and was remounted in New York the following year, before being staged in over 75 US theaters and in London. The play is known for its sharp comedy and exploration of colorism and teen rivalry. Bioh, a Tony-winning playwright, has a history of collaborating with director Whitney White, including on 'Jaja’s African Hair Braiding.' The current Broadway production is the first major New York run for the play in nearly a decade.

How outlets are covering it

Vulture’s Sara Holdren praises the production for its sharpness and the way it adds weight to the play’s themes, noting that the casting of Denée Benton and Jasmine Amy Rogers creates a dynamic that highlights the play’s exploration of fame, age, and colorism. The Guardian’s Juan A. Ramírez calls the production 'near-flawless' and praises the cast and direction, noting that the play’s comedy is undergirded by deft specificity. Playbill’s Logan Culwell-Block notes that the reviews are generally positive, with critics praising the cast and the play’s enduring relevance. Broadway.com’s coverage focuses on the opening night event, highlighting the star-studded cast and the presence of notable guests like Star Jones and Danielle Brooks. All sources agree that the production is a strong Broadway debut, but Vulture and The Guardian emphasize the added weight and sharpness of the themes, while Playbill and Broadway.com focus more on the cast and the event itself.

Why it matters

The Broadway debut of 'School Girls; Or, the African Mean Girls Play' is significant because it brings a well-loved regional theater favorite to a major New York stage for the first time in nearly a decade. The play’s exploration of colorism and teen rivalry remains relevant, and the production’s strong cast and direction have generated positive reviews. The opening night event, attended by notable figures in the theater world, underscores the play’s cultural impact and the continued interest in Bioh’s work. The production also highlights the ongoing conversation about colorism and beauty standards in the US and globally.

What to watch

The play is scheduled to run at the Samuel J. Friedman Theatre until November 1, 2026. Jocelyn Bioh is set to return to the stage for four performances starting October 9, replacing Patina Miller in the role of Eloise Amponsah. This will mark Bioh’s return to the stage after a 12-year absence. The production is expected to continue to draw attention for its strong cast and relevant themes, and it may influence future productions of the play in other cities.

Share this article

Want the full story? Read the original reporting

Read on Vulture