Tag

Margot Robbie

All articles tagged with #margot robbie

Margot Robbie Channels Kylie Minogue in Chanel Campaign Remix
fashion18 days ago

Margot Robbie Channels Kylie Minogue in Chanel Campaign Remix

Margot Robbie leads Chanel’s 25 handbag campaign by reimagining Kylie Minogue’s 2002 Come Into My World video, with director Michel Gondry back behind the camera. A crowd of Robbies traverses a LA soundstage styled as a Parisian street, each carrying a Chanel 25 bag in different colors and sizes, while Minogue makes a pink-windows cameo. The concept mirrors the original’s in-camera tricks, tying Robbie and Minogue’s Neighbours roots and highlighting Chanel at Paris Fashion Week.

Oscars Red Carpet Rewind: Iconic Hits and Memorable Mishaps
entertainment26 days ago

Oscars Red Carpet Rewind: Iconic Hits and Memorable Mishaps

A retrospective of Oscars red-carpet fashion, celebrating standout best-dressed moments and notorious misses across decades—from Nicole Kidman’s 1997 Dior moment to Timothée Chalamet’s celebrated 2022 lace-embroidered tux (and his 2020 navy Prada misstep), Björk’s infamous swan dress, Emma Stone’s 2024 mint Louis Vuitton, and Lady Gaga’s 2015 glove moment—highlighting how these looks helped define the ceremony’s style saga.

Lee Isaac Chung Steps Away From Margot Robbie’s Ocean’s Prequel
film1 month ago

Lee Isaac Chung Steps Away From Margot Robbie’s Ocean’s Prequel

Lee Isaac Chung has exited Warner Bros. and Margot Robbie’s Ocean’s prequel due to creative differences, in what Warner Bros. and LuckyChap call an amicable split. A new director is being sought, while Robbie remains attached as star and producer. The project, written by Carrie Solomon and based on characters created by George Clayton Johnson & Jack Golden Russell, continues in development amid broader studio changes related to Paramount’s merger.

Chung Exits Margot Robbie’s Ocean’s Prequel Amid Creative Differences
entertainment1 month ago

Chung Exits Margot Robbie’s Ocean’s Prequel Amid Creative Differences

Director Lee Isaac Chung leaves the Margot Robbie–led Ocean’s prequel over creative differences, making him the second filmmaker to depart after Jay Roach; Carrie Solomon is writing, with the story set in 1960s Europe before Ocean’s Eleven, while Warner Bros. and LuckyChap emphasize ongoing collaboration for future projects.

Ocean's Eleven Prequel Loses Its Director in Creative Rift
entertainment1 month ago

Ocean's Eleven Prequel Loses Its Director in Creative Rift

Lee Isaac Chung has exited Warner Bros.' planned Ocean's Eleven prequel amid creative differences, with Margot Robbie still attached to star and produce (alongside Bradley Cooper) through LuckyChap; the script is by Carrie Solomon, and Warner Bros. and LuckyChap issued a joint statement praising Chung as the project continues in development.

Audiences divided over Wuthering Heights remake: spectacle vs. substance
entertainment1 month ago

Audiences divided over Wuthering Heights remake: spectacle vs. substance

Readers and critics react to Emerald Fennell’s Wuthering Heights film with praise for its visual flair and soundtrack but fault its emotional depth and fidelity to Brontë’s novel, noting changes like merged characters and the suppression of Nellie’s narration; some see it as a bold reinterpretation that sparks discussion, while others view it as a misfire that leans into modern spectacle at the expense of the book’s intensity.

Wuthering Heights roars to roughly $77M global opening
entertainment1 month ago

Wuthering Heights roars to roughly $77M global opening

The Wuthering Heights remake starring Margot Robbie and Jacob Elordi opened to about $77M globally over its opening weekend (NA ~$34.8M; international ~$42M), with projections suggesting around $82M for the four-day frame. Australia contributed about A$4.3M, and more openings are planned in Japan, Vietnam, and China. The production budget was around $80M, and despite mixed critical reception (63% on Rotten Tomatoes), audiences bought tickets, helping Warner Bros. post a strong global start amid industry-wide studio dynamics.

Wuthering Heights Roars to $82M Global Debut in Female-Driven Reimagining
entertainment1 month ago

Wuthering Heights Roars to $82M Global Debut in Female-Driven Reimagining

Emerald Fennell’s Wuthering Heights, starring Margot Robbie, is on pace for an $82 million global debut after Warner Bros. spent about $80 million; US/Canada around $40 million and overseas about $42 million. Netflix reportedly offered roughly $150 million for the project, but a wide theatrical release was secured. The article also notes ongoing underrepresentation of women directors in Hollywood and places the weekend box office in broader industry context.

Wuthering Heights Roars to Global Box Office Lead as GOAT Debuts
film1 month ago

Wuthering Heights Roars to Global Box Office Lead as GOAT Debuts

Wuthering Heights leads the global box office with $82 million (roughly $42M overseas and $40M in North America) in its debut, while Sony’s GOAT opened to $47.6 million worldwide; the Warner Bros. remake—starring Margot Robbie and Jacob Elordi and produced on an $80 million budget—looks to strong international legs to offset costs, with early overseas leaders including the UK, Italy and Australia, and major markets like China and Japan still to open; Crime 101 followed with about $12 million from 60 markets.

Wuthering Heights Sees Global Bow, While GOAT Roars in the U.S.
box-office1 month ago

Wuthering Heights Sees Global Bow, While GOAT Roars in the U.S.

Margot Robbie and Jacob Elordi’s Wuthering Heights is tracking to an $82 million worldwide launch, with a strong domestic weekend but risk of missing the $40 million four-day target after a Saturday that brought in $14.4 million and a three‑day total of $34.8 million. GOAT, Sony’s animation featuring Stephen Curry, is outperforming expectations with a possible $32 million domestic four‑day debut and a $42 million global start, threatening WH’s U.S. box-office lead. WH’s critics score sits at 63% on Rotten Tomatoes with an 84% audience score, while GOAT earns an A CinemaScore; marketers aimed at older women and younger viewers helped drive the four‑day plan.

Wuthering Heights Dominates Holiday Box Office as Crime 101 Falters
entertainment1 month ago

Wuthering Heights Dominates Holiday Box Office as Crime 101 Falters

Warner Bros.’ Wuthering Heights opens to about $40 million domestic over the four-day Presidents’ Day weekend (with roughly $42 million overseas) for an $82 million global bow, while Amazon MGM’s Crime 101 underperforms with about $17.7 million against a $90 million budget; GOAT debuts in second with $26 million domestic and $15.6 million overseas for $47.6 million globally, with other new releases and holdovers rounding out the top of the box office.

Wuthering Heights Reimagined: Robbie’s Cathy and Elordi’s Heathcliff Through Hair and Prosthetics
entertainment1 month ago

Wuthering Heights Reimagined: Robbie’s Cathy and Elordi’s Heathcliff Through Hair and Prosthetics

The piece explains how Emerald Fennell’s Wuthering Heights uses Margot Robbie’s Cathy and Jacob Elordi’s Heathcliff to tell the story via transformative hair, makeup and prosthetics—Robbie with 35+ Cathy looks, freckles and era-specific wigs; Elordi shifts from a dirty, bearded “Jesus Elordi” to a slick, Darcy-inspired Heathcliff with a hand-laid beard and a gold-tooth prosthetic—plus ‘vagina plaits’ and other motifs. The look development, including tests against wind/rain, spanned a 51‑day shoot and was designed to convey jealousy, longing and tragedy, with Robbie even keeping her hair unwashed for a key scene.

Wuthering Heights Hits Box-Office Hurdle on Valentine’s Weekend
entertainment1 month ago

Wuthering Heights Hits Box-Office Hurdle on Valentine’s Weekend

Warner Bros.’ edgy Brontë adaptation Wuthering Heights, starring Margot Robbie and Jacob Elordi, is projected to win the Valentine’s weekend but looks set to finish well behind early tracking. Friday’s $13.3 million opening and a four‑day forecast in the $33–40 million range contrast with Warner’s $40 million target, amid a B CinemaScore and mixed reviews (63% on Rotten Tomatoes, stronger PostTrak exit scores). Presales were strong, but walk‑ups are softer than expected. Internationally, a $40 million global start is anticipated for about an $80 million worldwide debut, while rival releases GOAT and Crime 101 shape the holiday box office landscape.