A Washington Post Style piece celebrates Minionese—the Minions’ playful gibberish language—tracing its rise from Despicable Me to the latest film and examining why audiences love it, plus how it fueled TikTok virality and enduring pop-culture appeal.
Pierre Coffin discusses how Minionese is a melody-based gibberish rather than a real language, and how he localizes lines for different markets. He addresses female Minions, noting they aren’t reproducing and that the design would stay the same, and explains that Minions & Monsters is set a few decades before Despicable Me with cinema-era nods. He reflects on meme culture, merchandise like the fart gun, and his time at Amblimation, framing the Minions as individual characters with souls rather than mere creatures. In short, the piece paints the Minions as evolving, meme-driven icons now in UK cinemas.
Pierre Coffin reveals the Minions’ squeaky voice is his own voice pitched up six semitones and recorded in slow motion, a method that began during Despicable Me as ad-libbed gibberish and evolved into Minionese, a playful, evolving language mixing Italian, French, Spanish and other words chosen for melody rather than meaning; he uses special software to preserve pitch and tempo, has kept the voice in-house to maintain the language’s feel, and even after stepping back from directing he returns for projects like Minions & Monsters while expanding the linguistic repertoire across films.