Davachi’s Two-Hour Listening Manifesto
Critic Hugh Morris argues that Sarah Davachi’s The Will of Tongues is a two-hour, long-form acoustic and electroacoustic album that refuses extremes and demands undivided, ethical listening. Davachi performs on organ with ensembles including the Chamber Choir of Ireland and Phaedrus, and the collection of 2024–25 works on Late Music invites patient, attentive listening rather than background ambience.