All articles tagged with #schiaparelli
Zendaya’s Odyssey press tour channels Athena with Grecian couture, featuring a custom Louis Vuitton look embroidered for nearly 800 hours, a sculptural Schiaparelli gown with marble-inspired details, and additional myth-inspired outfits (Givenchy, Valentino, Jacquemus) styled by Law Roach as she promotes Christopher Nolan’s The Odyssey.
Cathy Horyn reviews Schiaparelli’s couture show by Daniel Roseberry, praising a lighter, more accessible direction on a sunlit Paris runway, with lean silhouettes (Alaïa-inspired black dress), a delicate silicone jacket, a sheer gown with hand-painted flowers, and other sculptural looks; she notes the novelty of the techniques and questions whether the collection’s spectacle and social‑media appeal will sustain couture’s relevance.
Zendaya kicks off The Odyssey press tour in a string of Grecian-inspired couture moments, from a gilded 1997 Givenchy gown with a sculpted face mask to a Schiaparelli fall 2026 ensemble with a marble-like bodice and beaded fringe, plus a Jacquemus ivory column dress and a Valentino foray with laurel-leaf motifs, all styled by Law Roach with luxe accessories, showcasing her status as a modern Greek goddess on the red carpet.
Bad Bunny made a standout Paris Couture Week debut at the Schiaparelli show in a butter‑yellow silk suit with pleated wide‑leg trousers, a white shirt, gold braided tie, and heeled leather cowboy boots, accessorized with a single hoop earring and gold brooches nodding to his album art; Karlie Kloss wore a blue latex dress on the runway as designer Daniel Roseberry described a collection that merges haute couture with synthetic materials for a bold, art‑infused statement.
Pop star Dua Lipa and actor Callum Turner tied the knot in a civil ceremony in west London, with Lipa wearing a custom Schiaparelli skirt suit adorned with gold bijoux buttons and a dramatic hat, channeling Bianca Jagger’s wedding look; a larger party was reportedly set to follow in Sicily.
Bella Hadid pushes the envelope at Cannes again, wearing a Schiaparelli gown paying homage to Jane Birkin for the L’Âge de Fer premiere, while previously sporting sheer, risqué looks that skirt the festival’s no-nudity rule—showing her rebellious approach to couture on the Croisette.
At Cannes 2026, Bella Hadid wore a custom Schiaparelli Haute Couture gown inspired by Jane Birkin’s iconic look, featuring a corseted bodice, sheer embroidery and a lace-up back to echo Birkin’s backwards dress moment; the design reportedly involved 22,160 hours of embroidery by 130 artisans and was paired with diamond jewelry as she attended the De Gaulle: Tilting Iron premiere.
Costume designer Molly Rogers—the Devil Wears Prada and Sex and the City vet—sharply critiqued Lauren Sánchez Bezos’s Met Gala gown, calling the navy Schiaparelli corseted dress “cheap” as online backlash over Sánchez’s waist-cinching look circulated; Sánchez collaborated with Daniel Roseberry (Schiaparelli) on the design after discussing her style, with the Bezos-backed event drawing widespread commentary.
Kendall Jenner’s Met Gala look pairs a Gap white tee draped over a custom-moulded leather bodice designed with Zac Posen, creating a fluid, second-skin silhouette inspired by classical wet-drapery and keeping the body as the garment’s foundation. Kylie Jenner wears Schiaparelli Haute Couture by Daniel Roseberry—a butter duchesse satin ball gown with a sienna-toned, exposed bustier—presenting the body as architectural outline and sign of dress in progress. Together, the sisters center the body as the starting point and focal point of construction, transformation, and exposure at this year’s theme.
Kylie Jenner made headlines at the Met Gala 2026 for a brief stumble on the red carpet stairs, but quickly recovered while wearing a dramatically illusionary Schiaparelli gown that nods to the Costume Art/ Fashion Is Art theme. The gown features a skin-toned corset with faux nipples and an ivory pearl-embellished skirt designed to appear as if it’s slipping off, an 11,000-hour craftsmanship detail that highlighted the event’s couture flair. Fans praised her poise and stunning look despite the minor misstep.
Kylie Jenner arrived at the 2026 Met Gala in a deconstructed Schiaparelli gown that looked as if it were falling off, revealing a sculptural nude illusion corset and a dramatic train. She completed the look with a backwards statement collar, bleached brows, and Old Hollywood waves, delivering a bold, artful moment that nods to the event's Fashion is Art theme.
Kylie Jenner turned heads on the Met Gala 2026 red carpet in a custom Schiaparelli gown designed to look like it’s falling off, featuring a nude illusion corset with faux nipples and a pearl-encrusted train. The look involved about 2,000 satin-stitch pearl balls, 10,000 natural baroque pearls, and 7,000 painted fish scales, with roughly 11,000 hours of embroidery, complemented by dramatic pearl jewelry as she arrived solo (Timothée Chalamet did not walk the red carpet with her).
Lauren Sánchez Bezos wore a waist-skimming, off-the-shoulder Schiaparelli gown inspired by Madame X at the Met Gala 2026, with Daniel Roseberry translating the painting’s history into a body-conscious design alongside Law Roach; her pre-Gala prep even included a unique NY Fire Department training, and she and Jeff Bezos are steering The Next Thread Initiative with the CFDA to develop bacteria-grown fibers, underscoring fashion as art at The Met.
Emily Blunt arrived at The Devil Wears Prada 2 premiere in New York wearing a Schiaparelli couture gown paired with Mikimoto pearl jewelry—a 156‑pearl Akoya necklace and 243 pearl bracelets—creating a bold, pearl-draped couture moment that fits the film’s fashion-forward vibe; designer Daniel Roseberry, who has dressed Blunt before, speaks to their close collaboration and the look’s Met Gala–worthy mood.
Kylie Jenner stole the Oscars 2026 red carpet with boyfriend Timothée Chalamet, wearing a skin-tight scarlet Schiaparelli gown featuring a lock-shaped chest cutout and a deep-V halter, complemented by Lorraine Schwartz jewelry. She described the look as a nod to racecar red and highlighted the moment in posts about Timothée’s film Marty Supreme, following their orange-chrome ensembles at the film’s LA premiere.