Beef Season 2 Goes 65mm: James Laxton Expands Its Visual Scope
TL;DR
Cinematographer James Laxton explains Beef Season 2 was shot on the ARRI 265 65mm sensor to broaden the show's visual language, shaping power dynamics through framing and movement across multiple couples, with a finale that brings all characters together in one frame; the season is streaming on Netflix.
- The 65mm Show to Watch Is ‘Beef’ Season 2 IndieWire
- Oscar Isaac and Carey Mulligan Have a Generational ‘Beef’ The New York Times
- BEEF Season 2: The Meaning Behind the Episodes Titles and Art Netflix
- Why Troy From ‘Beef’ Season 2 Looks So Familiar Men's Health
- 'Beef' is less rare in Season 2, but still well done NPR
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