Taron Egerton Stars in 'Everybody Wants to Fuck Me,' a Genre-Bending Satire on Modern Dating

Jonathan Schey’s debut feature, 'Everybody Wants to Fuck Me,' premiered at the 2026 Toronto International Film Festival. The film stars Taron Egerton as Adam, a London man who uses performative niceness to seduce women. After a night with a skeptical academic, Adam is cursed with irresistible pheromones, turning his dating habits into a body-horror nightmare. Critics praise Egerton’s performance and the film’s slick style but criticize its shallow social commentary and predictable ending.
Key points
- The film was reviewed at the Toronto International Film Festival on September 11, 2026, with a running time of 102 minutes.
- Taron Egerton plays Adam, a smooth-talking Londoner who works at a gallery for female artists and uses 'nice guy' tactics to secure one-night stands.
- After a night with a cynical academic played by Jessica Henwick, Adam is affected by a supernatural curse that makes women unable to resist him.
- The plot blends romantic comedy, body horror, and gender-war satire, featuring inflamed STI imagery and escalating sexual tension.
- The film is produced by Margot Robbie’s LuckyChap production company and is compared to 'Promising Young Woman' and 'Obsession.'
- Critics noted the film’s slick style and Egerton’s performance but criticized its lack of depth in social commentary and a predictable ending.
Background
This is Jonathan Schey’s first feature film. The story follows Adam, a character who performs sensitivity and sophistication to attract women, only to be punished by a supernatural curse that makes him irresistible. The film was reviewed at the Toronto International Film Festival in September 2026. It is produced by Margot Robbie’s LuckyChap, the same company behind 'Promising Young Woman.' The film is compared to 'Obsession' and 'Get Out' in terms of its social thriller elements.
How outlets are covering it
Variety’s Guy Lodge praised the film’s slick style and Egerton’s performance but criticized its sexual politics as less progressive than it appears. The Guardian’s review highlighted Egerton’s fearless performance and the film’s sharp satire but noted a poorly thought-out convenience in the plot and a disliked ending trope. IndieWire’s David Ehrlich called the film a 'scattered movie' that shares its protagonist’s fear of commitment, praising its visceral impact but criticizing its lack of depth in social commentary and character development. All three outlets agreed on Egerton’s strong performance but differed on the film’s overall coherence and social message.
Why it matters
The film addresses contemporary debates about dating, gender dynamics, and the 'nice guy' archetype. Its genre-blending approach and critical reception at a major festival indicate its potential as a viral conversation piece. The film’s production by a major studio and its comparison to other social thrillers suggest its relevance in current cinematic trends.
What to watch
The film is seeking U.S. distribution. Its release date is not yet announced. The film’s performance at the Toronto International Film Festival and critical reception will likely influence its distribution and marketing strategy.
- 'Everybody Wants to F-- Me' Review: A Giddily Genre-Crossing Comedy Variety
- Everybody Wants to F*ck Me review – Taron Egerton is hounded in sharp-toothed dating nightmare theguardian.com
- ‘Everybody Wants to F*ck Me’ Review: Taron Egerton Does ‘Obsession’ to Every Woman on Earth in Cynical Horror Comedy That Trips Over Its Dick IndieWire
- TIFF Review: Everybody Wants to F*ck Me Climaxes Too Early IMDb
- “EVERYBODY WANTS TO F*CK ME” Next Best Picture
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