All articles tagged with #taron egerton
Brooks Nader and Taron Egerton were photographed at Bondi Beach in Australia sharing a close embrace and walking hand-in-hand, fueling romance rumors as they’ve been spotted together on multiple getaways.
Netflix’s new survival thriller Apex delivers relentless tension as Sasha (Charlize Theron) threads a brutal hunt through the Australian wilderness, with Taron Egerton delivering one of his best performances as the hunter. The film thrives on its claustrophobic set-pieces and grim perseverance, though its backstories and final payoff feel rushed. Still, for fans of tense cat-and-mouse thrillers, Apex stands out as a brutal, immersive ride that secures Netflix’s No. 1 spot.
Charlize Theron and Taron Egerton discuss shaping Apex to kill genre tropes, with Theron overseeing a practical, physically demanding production (including Theron doing most climbing) and a collaborative script process that allowed Egerton to evolve into a menacing villain, all grounded in a tense two-hander for Netflix.
Taron Egerton transformed his body for the survival thriller Apex by training like an athlete with Jason Walsh, prioritizing movement, core stability and endurance over bulk. The plan emphasized functional strength, agility and lean conditioning, guided by VO2 max/metabolic testing and precise macronutrient tweaks. He insisted the transformation was natural with no hormone interventions, using protein supplements to hit targets, and acknowledging the dieting was tough but necessary for the look and energy needed for demanding wilderness scenes.
Tom's Guide highlights three Netflix thrillers this week, led by Apex, a tense cat-and-mouse thriller starring Charlize Theron and Taron Egerton that drops on Netflix April 24; set in the Australian outback, it follows a grieving climber hunted by a relentless pursuer, with two other thrillers also available to stream this week.
Netflix’s survival thriller Apex pairs Charlize Theron’s Sasha with a relentless hunter in the Australian wilderness, as Taron Egerton’s Ben adds chilling menace. Baltasar Kormákur’s direction and Lawrence Sher’s cinematography deliver brutal, nail-biting chase sequences and stark landscapes, turning this Netflix original into a brisk, big‑screen–quality thriller that debuts on April 24, though the closing credits song feels out of place.
Apex, Desert Warrior, Fuze, and Michael arrive with big budgets and big ideas, delivering moments of excitement but often losing focus in service of spectacle: Apex benefits from Charlize Theron and a tense survival setup but leans into campy horror; Desert Warrior aims for a feminist epic yet struggles with a uneven script and pacing despite striking desert visuals and solid performances; Fuze is a lean, well-edited crime thriller that amasses momentum in the first half but falters with a late twist; Michael relies on nostalgia and showmanship to evoke Michael Jackson but glosses over deeper questions about the artist. Overall, the lineup showcases ambition that isn’t always matched by craft.
The finale of Apple TV+'s 'Smoke' reveals that Dave Gudsen, played by Taron Egerton, is actually an older, heavier man, challenging the audience's perception and emphasizing themes of projection and performative masculinity. Showrunner Dennis Lehane discusses the show's social commentary, character development, and the controversial ending, leaving open the possibility of continuation.
Taron Egerton has publicly stated he is not interested in becoming the next James Bond, citing the role's demanding nature and his belief that he wouldn't be a good fit, despite his experience in the spy genre with the Kingsman films.
Taron Egerton has ruled himself out of playing James Bond, citing his own 'messy' nature and preferring to explore different roles, while the search for the next 007 continues with directors like Denis Villeneuve involved.
'Smoke' is a compelling true crime series on Apple TV+ that explores arson through the perspectives of an investigator and a detective, featuring strong performances, intriguing twists, and a dark, atmospheric tone. The show balances suspense, character depth, and dark humor, making it a satisfying watch despite some narrative stretches in later episodes.
"Carry-On" is a Netflix action thriller starring Taron Egerton as Ethan Kopek, a TSA agent caught in a "Die Hard"-style plot on Christmas Eve at LAX. The film, directed by Jaume Collet-Serra, features Jason Bateman as a villain manipulating Ethan to smuggle a nerve agent. Despite its implausible plot and numerous clichés, the movie offers entertaining action sequences and a chance for Egerton to shine as an action star. Bateman's performance adds a unique charm to the otherwise predictable storyline.
"Carry-On," a Netflix thriller directed by Jaume Collet-Serra, stars Taron Egerton as a TSA agent blackmailed by a mysterious figure, played by Jason Bateman, to smuggle a dangerous package through LAX on Christmas Eve. The film, reminiscent of "Eagle Eye" and "Phone Booth," explores themes of surveillance and privacy, with Egerton and Bateman delivering strong performances. While the main plot is gripping, a subplot involving a police investigation feels underdeveloped.
Netflix's 'Carry-On,' directed by Jaume Collet-Serra, is a tense holiday thriller set in LAX, featuring Taron Egerton as a TSA agent caught in a cat-and-mouse game with a mysterious traveler played by Jason Bateman. The film, reminiscent of action classics like 'Die Hard,' involves a ticking time-bomb scenario on Christmas Eve, with Egerton's character forced to comply with the traveler's demands to protect his pregnant girlfriend. The movie combines suspense with human elements, supported by a strong cast and high-paced editing.
During a joint interview with Rachel Weisz, Taron Egerton was shown a video of himself revealing that Weisz was his first-ever celebrity crush. Egerton was visibly embarrassed, but the revelation broke the tension between the pair and made Weisz laugh. They went on to discuss their recent television series performances and left childhood crushes in the past.