Genre-Bending Satire Skewers Modern Romance with a Twisted Edge

At Toronto, Jonathan Schey’s debut Everybody Wants to F— Me swings from rom‑com charm to body-horror farce as Taron Egerton’s smooth London playboy finds his one-night-stand routine unraveling into a supernatural, gender-war satire; the film is stylish, sharp, and entertaining, powered by Egerton’s canny performance, though its provocative politics can feel shoehorned and its leap into darker territory may divide audiences.