Cannes 2026: Frémaux Defends Festival Amid Hollywood Reshaping and Club Kid Buzz
Thierry Frémaux argues Cannes remains a powerful, efficient hub for global cinema even as Hollywood restructures and streaming changes the industry. He notes strong attendee presence, including major stars, and buzz around Un Certain Regard titles like Club Kid, defending the festival’s balance between Competition and its incubator program. The Palme d’Or went to Cristian Mungiu’s Fjord, and while some American faves like James Gray didn’t win, Frémaux says US cinema remains central. He also addresses the Canal+/Bolloré controversy, hopes for Netflix’s return, and confirms plans for Cannes 2027 (May 11–22) as the festival boldens its continued evolution amid political and market tensions.
