
Cannes 2026: Three Standouts Cut Through a Weak Lineup
IndieWire critic David Ehrlich argues Cannes 2026 offered a weak lineup, but three films—Camp Miasma (Teenage Sex and Death at Camp Mishima) by Jane Schoenbrun, Club Kid by Pawel Pawlikowski, and Andrey Zvyagintsev’s Minotaur—stood out for their bold formal daring and incisive examinations of identity and reality. Camp Miasma uses autofictional horror to map mind and body, Club Kid follows a sober, maturation arc of a gay Manhattan scenester, and Minotaur places a domestic crisis within a brutal geopolitical frame, culminating in a haunting final image. Together, they demonstrate cinema’s power to disrupt and redefine perception even amidst a festival lineup Ehrlich found lacking overall.












