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Cinema

All articles tagged with #cinema

World Cup 2026 Gets a Silver Screen Casting: Teams as Movie Archetypes
world9 days ago

World Cup 2026 Gets a Silver Screen Casting: Teams as Movie Archetypes

THR reimagines the 2026 World Cup as a cinema lineup, pairing each country with a movie archetype—USA as Marty Supreme, France as The Odyssey, Argentina as Star Wars, Brazil as The Sound of Music, Spain as Obsession, Portugal as Lost in Translation, England as Alan Partridge, Scotland as Sweet Sixteen, Canada as Cool Runnings, and Cape Verde as Rocky—using film tropes to capture each team's spirit and the tournament's knockout drama.

Midyear Magic: 2026's Most Notable Films So Far
entertainment9 days ago

Midyear Magic: 2026's Most Notable Films So Far

Rolling Stone’s midyear pick highlights 10 standout titles of 2026—from Sophy Romvari’s Blue Heron and Lav Diaz’s Magellan to Steven Soderbergh’s The Christophers, Baz Luhrmann’s EPiC: Elvis Presley in Concert, and the sci‑fi blockbuster Project Hail Mary—alongside Exit 8, My Father’s Shadow, Obsession, Seeds, and Yes—demonstrating a year of indie breakthroughs, audacious genre experiments, and lavish spectacle that together map a year of bold storytelling, nostalgia, and surprise discoveries.

DC Studios concedes Supergirl underperformed at the box office, signaling a broader strategy rethink
arts-entertainment10 days ago

DC Studios concedes Supergirl underperformed at the box office, signaling a broader strategy rethink

DC Studios acknowledged that Supergirl didn’t meet box-office expectations, opening around $63 million on a budget of about $170 million and trailing major competitors like Toy Story 5; the admission positions the film as a setback within a broader, long-term DC strategy and suggests the studio will recalibrate its upcoming lineup.

Spielberg’s filmography ranked: from 1941 to E.T., a cinematic rollercoaster
entertainment26 days ago

Spielberg’s filmography ranked: from 1941 to E.T., a cinematic rollercoaster

A film-crit piece ranks Steven Spielberg’s 35 feature films from worst to best, noting his genius alongside notable misfires. The list ranges from the bottom entry 1941 to the top pick E.T., highlighting themes like family, paranoia, and belonging, and praising highs such as Jaws, Close Encounters, Raiders, and Schindler’s List while calling out mid- to late-career entries like The Lost World and Always. It also includes a nod to a hypothetical 2026 title, Disclosure Day, illustrating the author’s expansive view of Spielberg’s ongoing impact on cinema.

Sony Extends VENICE 2 with 65mm RIALTO Sensor for 9.6K Open-Gate
technology1 month ago

Sony Extends VENICE 2 with 65mm RIALTO Sensor for 9.6K Open-Gate

Sony unveiled RIALTO 65, a modular 65mm image-sensor block that can mount to the VENICE 2 or operate remotely via the VENICE Extension System, enabling a 9.6K 3:2 open-gate workflow and expanding the VENICE ecosystem for large-format cinema. The sensor measures about 64.60 mm diagonal (53.75 x 35.83 mm) and offers roughly 2.2× the light-receiving area of a full-frame sensor, promising a larger image, shallower depth of field, and compatibility with multiple 65mm lenses through configurable readout modes. Release is planned for the first half of 2027, with a public showing at Cine Gear Expo 2026 in Los Angeles. This move prolongs VENICE 2’s lifecycle by adding a 65mm expansion path rather than replacing the camera body, though pricing, lens support, dynamic range, and frame rates remain to be seen.

Persepolis Creator Marjane Satrapi Dies at 56, Leaving a Global Graphic Legacy
culture1 month ago

Persepolis Creator Marjane Satrapi Dies at 56, Leaving a Global Graphic Legacy

Marjane Satrapi, the Iranian-French graphic novelist and filmmaker behind Persepolis, has died at 56. Her four-volume memoir and its 2007 animated adaptation earned Cannes recognition and an Oscar nomination, cementing her status as a leading voice in graphic storytelling; she grew up in Tehran, lived in Austria and Paris, and produced other works such as Chicken with Plums and The Voices while remaining active in art and politics.

Tarantino Slams Modern Hollywood as a ‘Flavourless Sausage Factory’
entertainment1 month ago

Tarantino Slams Modern Hollywood as a ‘Flavourless Sausage Factory’

Quentin Tarantino criticizes contemporary Hollywood as a ‘flavourless sausage factory,’ saying post-pandemic releases are plagued by flaws and pandering and that he’d rather read a book; he cites The Rip (Netflix) and films like West Side Story and Horizon: An American Saga as rare exceptions, and notes he’s developing a swashbuckling play The Popinjay Cavalier while having scrapped plans for his 10th feature, The Movie Critic.

Boots Riley's I Love Boosters: A Maximalist Love Letter to Cinema
entertainment1 month ago

Boots Riley's I Love Boosters: A Maximalist Love Letter to Cinema

A rave review of Boots Riley's I Love Boosters that treats the film as a maximalist, magical-realist Bay Area satire and a jubilant ode to moviemaking. The story follows Corvette, a booster, and a crew of hijinks against a designer-clothes empire, blending communist agitprop with zany humor. While the plot can feel shaggy and its pacing uneven, the film’s bold visuals, inventive set pieces, and sheer love of cinema make it a joyous, rewatchable celebration of the medium.

Cannes 2026: Ten Films That Redefine the Festival
entertainment1 month ago

Cannes 2026: Ten Films That Redefine the Festival

Rolling Stone’s Cannes 2026 rundown highlights ten standout titles—from Hamaguchi’s All of a Sudden and Sorogoyen’s The Beloved to Club Kid and a director’s cut of Ken Russell’s The Devils—along with several strong restagings and bold new voices (Ben’imana, Fatherland, Maverick: The Epic Adventures of David Lean, Minotaur, Paper Tiger, Teenage Sex and Death at Camp Miasma). The piece underscores intimate character studies, sharp satire on moviemaking, and restorations that resonate today, while noting honorable mentions and brisk industry buzz around acquisitions and next-year anticipation.

Cannes clarifies: AI-generated film wasn’t an official Cannes debut
technology1 month ago

Cannes clarifies: AI-generated film wasn’t an official Cannes debut

The Wall Street Journal claimed an AI-generated feature called Hell Grind would debut at Cannes, but festival organizers say it was not on the official program and instead screened at a third‑party venue in Cannes; the producers point to the Marché du Film, a marketplace with no formal festival selection, to back their claims. The piece uses the episode to critique AI hype in cinema and notes a mix of industry reactions, underscoring how marketing can blur what actually qualifies as a Cannes appearance.

Imax Sale Sparks Broad Bidder Speculation Across Studios, Tech Giants, and PE
business1 month ago

Imax Sale Sparks Broad Bidder Speculation Across Studios, Tech Giants, and PE

Imax is reportedly exploring a sale, with early talks prompting Wall Street to speculate on a wide pool of potential buyers from traditional theater chains (Cinemark, AMC) to tech and media giants (Apple, Sony, Netflix, Amazon) and private equity firms, plus entertainment players like Sphere Entertainment. Analysts say the universe of likely bidders is unusually broad, though concerns remain about how any buyer might influence Imax’s neutral release model. Previous auction attempts stalled, but the current sale process has renewed interest as premium, large-format cinema experiences rebound post-pandemic.