All articles tagged with #ewan mcgregor
Ewan McGregor says he’s pitched fresh Obi-Wan ideas—potentially a Yoda-focused mission or a major love story with Hera Syndulla from Ahsoka—and even shared them with Lucasfilm chief Dave Filoni. He notes cross-universe timing could complicate such stories, but he’d be open to returning in any format, and he’s also enjoying life back in Scotland while preparing for a stage project with Alan Cumming.
Spider-Man: Brand New Day led the weekend with about $70M globally in its third outing, pushing its worldwide total over $2B, while Warner Bros.' The End of Oak Street opened around $21M domestically and $26M overseas, finishing behind The Odyssey and Paw Patrol as non-Jurassic dinosaur movies continue to struggle at the box office.
At the Edinburgh International Film Festival, Ewan McGregor says he’d love to reprise Obi-Wan Kenobi in a future project—whether a new series or a film—citing the warm fan reaction to his return; he reflects on his Star Wars past, discusses working with his daughter Clara in Bleeding Love, and hints at directing ambitions in Scotland, while not ruling out the James Bond chatter and noting ongoing plans like a long-distance Long Way… trip.
Warner Bros/Bad Robot's The End of Oak Street opens with previews around $2M in the U.S. from 3,200 sites, aiming for a global debut of $38M–$48M (domestic $18M–$23M; international $20M–$25M in 74 territories) on a wide 24,000-screen rollout. The PG-13 family adventure stars Anne Hathaway and Ewan McGregor as a neighborhood facing a prehistoric jungle and dinosaurs; production costs are cited at $80M–$92M, and Rotten Tomatoes shows 85% fresh.
David Robert Mitchell’s The End of Oak Street drops dinosaurs into a 1982 suburban family tale, anchored by Anne Hathaway and Ewan McGregor, with striking cinematography that blends intimate drama and big-action chaos. While the tonal shifts and pacing aren’t perfect, the movie delivers a grounded, retro-dino ride that captures the era’s vibe and excitement, opening August 14, 2026.
Warner Bros.' The End of Oak Street has sparked strong early buzz from press screenings, with social critics calling it a brisk, Amblin-style sci‑fi survival thriller led by Anne Hathaway and Ewan McGregor. David Robert Mitchell’s film, produced by J.J. Abrams, blends suburban nostalgia with dinosaur peril and family drama, drawing comparisons to Spielberg-era adventures. Abrams downplays Cloverfield ties beyond a cast connection via Winstead; full reviews are embargoed until Aug. 12 ahead of the Aug. 14 wide release as Warner Bros. bets on a return to form.
Anne Hathaway flaunted her baby bump on the green carpet at the world premiere of The End of Oak Street in Los Angeles, posing with her on-screen family Ewan McGregor, Maisy Stella and Christian Convery. She wore a celestial-blue and crimson Atelier Prabal Gurung top paired with jeans, as the survival thriller about a suburb dragged into an unknown dimension unfolds. The film opens internationally on August 12 and in North America on August 14 in theaters and IMAX.
A feature highlighting eight stars—Jay Leno, Keanu Reeves, Ewan McGregor, Richard Hammond, Brad Pitt, Ryan Reynolds, Norman Reedus, and David Beckham—whose motorcycle passion fuels vast collections, custom builds, and adventurous cross‑country rides, illustrating how bikes offer personal freedom and a creative extension of their public personas.
Ewan McGregor stars as Count Alexander Ilyich Rostov in the TV adaptation of Amor Towles's novel "A Gentleman in Moscow" on Paramount+, portraying the character with intoxicating charm and affecting depth, complemented by his flamboyant facial hair. The series, set in 1921 Moscow, follows the count's purgatory in the Metropol Hotel after being spared from execution, as he befriends other residents and navigates Bolshevik politics. With a fantastic cast and impeccable rendering of the snow-globe fantasy world, the show promises a pleasant and charming period drama experience.
Showtime's limited series "A Gentleman in Moscow," based on Amor Towles' novel, follows Count Alexander Rostov, a Russian aristocrat sentenced to lifetime house arrest in a luxury hotel after the Revolution. The series balances whimsy and tragedy as Rostov navigates his unique circumstances, forming relationships with other hotel residents and staff. While effective in showcasing the Count's confinement, the show's focus on Russia itself feels less realized. Overall, the series offers a mix of humor, sadness, and charm, making it a likable new destination for television viewers.
"A Gentleman in Moscow," a TV adaptation of the bestselling book, follows the story of Count Alexander Rostov, who is sentenced to live in a luxury hotel in the wake of the Russian Revolution. The series, starring Ewan McGregor and Mary Elizabeth Winstead, explores themes of humanity and connection within an authoritarian regime, spanning decades of Russian history. Despite some pacing issues, the show effectively portrays the protagonist's personal growth and the historical backdrop, offering a relevant and engaging viewing experience.
The new series "A Gentleman in Moscow" on Paramount+/Showtime, based on the bestseller by Amor Towles, stars Ewan McGregor as a Russian Count living in a hotel attic for 30 years of Soviet history. McGregor's performance shines as the Count navigates life in the plush Metropol Hotel while facing the threat of execution if he steps outside. The series has been criticized for romanticizing Soviet horrors, but it also intensifies the unseen terror outside the hotel. McGregor's charm and the character's education in humanity make for a compelling watch, leading to a bittersweet ending that honors a man who follows the dictates of his heart.
Showtime's "A Gentleman in Moscow" is praised for its restrained adaptation of Amor Towles' novel, following the story of Count Alexander Rostov's house arrest at the Metropol Hotel after the Bolshevik Revolution. The series features solid performances from Ewan McGregor and Mary Elizabeth Winstead, but lacks intellectual depth and character development, while offering a visually sumptuous portrayal of the era. Despite some repetitive loops, the show's general claustrophobic sumptuousness makes it an enjoyable watch.
Ewan McGregor shines in the Showtime series "A Gentleman in Moscow," based on Amor Towles' novel, portraying Count Alexander Ilyich Rostov under house arrest at the Hotel Metropol from 1922 to 1958. The series captures a romantic and controlled tone, contrasting Old World gentility with the heartlessness of the surveillance state, and features a wonderful performance by McGregor, along with a cast of characters navigating personal, political, and cultural challenges within the confines of the hotel.
Ewan McGregor discusses the importance of having an intimacy coordinator on set for sex scenes with his wife, Mary Elizabeth Winstead, in their upcoming series "A Gentleman in Moscow," emphasizing the need for such support for both actors and the crew. He also highlights the significance of protecting young actors and shares his discomfort with sex scenes in the past.