All articles tagged with #hannah einbinder
Hannah Einbinder and other public figures were arrested while protesting Benjamin Netanyahu's arrival at the United Nations. Einbinder subsequently issued a statement urging the U.S. government to halt military support for Israel's operations in Gaza.
Hannah Einbinder was arrested during a protest against Benjamin Netanyahu's UN visit and issued a statement calling for the U.S. to end Israel's military actions in Gaza.
On September 24, 2026, Israeli Prime Minister Benjamin Netanyahu delivered a combative speech to the UN General Assembly in New York, facing mass walkouts from delegates and street protests. Outside the venue, actors Susan Sarandon and Hannah Einbinder, along with local politicians, were arrested by the NYPD for blocking intersections. Inside, Netanyahu criticized critics as 'moral cowards' and defended recent US-Israeli strikes on Iran, while Mayor Zohran Mamdani condemned the visit without joining the demonstrations.
Hannah Einbinder, who is Jewish, publicly defended Mark Ruffalo after Paramount said his critique of the Paramount-Warner Bros. merger invoked antisemitic tropes. Ruffalo had criticized actions tied to Oracle co-founder Larry Ellison and board member Safra Catz in connection with the deal, drawing a harsh response from Paramount that they do not tolerate prejudice. Einbinder argued that criticizing corporate power isn’t antisemitic and encouraged artists with a platform to speak out, while Ruffalo reiterated that his stance is political and not a condemnation of Jewish people.
Hannah Einbinder publicly defended Mark Ruffalo after Paramount accused him of antisemitism for linking Larry Ellison’s Oracle funding to the Israeli military, in the wake of his opposition to Paramount Global’s merger with Warner Bros. Discovery. Einbinder, who has spoken out on Palestinian rights, posted a lengthy message praising Ruffalo and arguing that his criticisms target oligarchs and corporate consolidation—not Jewish people—and that artists should stand with workers who could lose thousands of jobs if the deal goes through.
Hannah Einbinder publicly supported Mark Ruffalo after a Paramount spokesperson accused him of antisemitism for highlighting the Ellison family’s ties to Israel and its military tech, calling the accusation “ludicrous” and noting other connections to the merger. Ruffalo pushed back on antisemitism claims on X, saying criticizing actions or policies is not the same as attacking Jewish people, while Einbinder framed the controversy as a broader Hollywood-working-class issue and praised Ruffalo for speaking out against powerful moguls.
Jane Schoenbrun's meta-horror Camp Miasma is a witty, bloody romance about reclaiming desire and liberation, anchored by Gillian Anderson’s flamboyant Billy and Hannah Einbinder’s anxious Kris. Through a film-within-a-film framework and sharp satire of the movie industry, it blends inventive horror visuals with emotional depth, turning familiar slasher tropes into a doorway out of isolation and loneliness while celebrating cinema’s power to transform us.
Hannah Einbinder shifts from Hacks to Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, playing a queer director who becomes obsessed with Gillian Anderson’s ‘final girl’ in a cross-generational, psychosexual drama that riffs on horror’s sex-and-power tropes; Schoenbrun’s third feature opens August 7 and uses the final girl concept to explore identity, sexuality, and messy creative dynamics.
Jean Smart and Hannah Einbinder discuss Hacks' rollercoaster finale, reflecting on its emotional twists and a moment Einbinder says left her feeling 'pathetic,' underscoring the show's blend of sharp humor, heartfelt drama, and their strong on-screen chemistry.
After five glorious seasons, Hacks closes with a deliberate, heartfelt finale that cements Deborah Vance and Ava’s bond while delivering laughs, legacy, and a satisfying send-off—complete with a Paris-bound farewell and a look at what their future might hold.
Hannah Einbinder criticizes Spencer Pratt’s bid to become Los Angeles mayor, calling for resistance to money-influenced politics; she said she pragmatically endorsed Nithya Raman over Rae Huang and stressed the importance of focusing on LA city council races, adding she’s with Lisa Rinna and isn’t running for office herself.
The Hollywood Reporter’s Comedy Actresses Emmy Roundtable gathers Keke Palmer, Lisa Kudrow, Quinta Brunson, Rachel Sennott, Hannah Einbinder, and Ashley Padilla at The Georgian Hotel to swap stories about auditions, bombing, social media feedback, and navigating a high‑pressure, highly visible industry. They discuss staying true to their comedic voices, the impact of publicists and labels, the differences between improv and stand‑up, and the evolving landscape for women in comedy—from Groundlings to network TV—emphasizing mentorship, collaboration, and resilience over rivalry.
At Cannes, Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma opens in Un Certain Regard as a deeply personal, queer meditation on sex, trauma, and healing. In a Q&A, Schoenbrun discusses drawing from their own journey as a trans, nonbinary creator, the film’s provocative, intimate sex scenes, and its aim to provoke conversation about consent and America’s sexual psyche, with standout performances by Hannah Einbinder and Gillian Anderson.
Jane Schoenbrun’s Cannes 2026 film Teenage Sex and Death at Camp Miasma turns a retro slasher into a sharp, compassionate meditation on nostalgia, gender trauma, and queer desire, anchored by Gillian Anderson’s presence and Hannah Einbinder’s performance, with lush visuals and wry humor.
At Cannes, Hannah Einbinder says she won’t let fears of being blacklisted silence her advocacy for Palestine, arguing the cost of not speaking out is higher. She discussed the Cannes world premiere of Camp Miasma and her collaboration with Gillian Anderson at the Kering Women in Motion talks, praised Palestinian and Jewish allies, and suggested she’d love to work with other pro‑Palestine celebrities as she reflects on the final season of Hacks. Camp Miasma opens Aug. 7 in theaters via Mubi.