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Hannah Einbinder

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Einbinder Defends Ruffalo in Antisemitism Row Over Paramount Merger
entertainment11 hours ago

Einbinder Defends Ruffalo in Antisemitism Row Over Paramount Merger

Hannah Einbinder, who is Jewish, publicly defended Mark Ruffalo after Paramount said his critique of the Paramount-Warner Bros. merger invoked antisemitic tropes. Ruffalo had criticized actions tied to Oracle co-founder Larry Ellison and board member Safra Catz in connection with the deal, drawing a harsh response from Paramount that they do not tolerate prejudice. Einbinder argued that criticizing corporate power isn’t antisemitic and encouraged artists with a platform to speak out, while Ruffalo reiterated that his stance is political and not a condemnation of Jewish people.

Einbinder Defends Ruffalo as Antisemitism Claims Roil Studio Merger
entertainment17 hours ago

Einbinder Defends Ruffalo as Antisemitism Claims Roil Studio Merger

Hannah Einbinder publicly defended Mark Ruffalo after Paramount accused him of antisemitism for linking Larry Ellison’s Oracle funding to the Israeli military, in the wake of his opposition to Paramount Global’s merger with Warner Bros. Discovery. Einbinder, who has spoken out on Palestinian rights, posted a lengthy message praising Ruffalo and arguing that his criticisms target oligarchs and corporate consolidation—not Jewish people—and that artists should stand with workers who could lose thousands of jobs if the deal goes through.

Einbinder Backs Ruffalo Over Ellison-Israel Criticism
entertainment18 hours ago

Einbinder Backs Ruffalo Over Ellison-Israel Criticism

Hannah Einbinder publicly supported Mark Ruffalo after a Paramount spokesperson accused him of antisemitism for highlighting the Ellison family’s ties to Israel and its military tech, calling the accusation “ludicrous” and noting other connections to the merger. Ruffalo pushed back on antisemitism claims on X, saying criticizing actions or policies is not the same as attacking Jewish people, while Einbinder framed the controversy as a broader Hollywood-working-class issue and praised Ruffalo for speaking out against powerful moguls.

Camp Miasma: Slasher Bravery Becomes a Doorway to Freedom
entertainment19 days ago

Camp Miasma: Slasher Bravery Becomes a Doorway to Freedom

Jane Schoenbrun's meta-horror Camp Miasma is a witty, bloody romance about reclaiming desire and liberation, anchored by Gillian Anderson’s flamboyant Billy and Hannah Einbinder’s anxious Kris. Through a film-within-a-film framework and sharp satire of the movie industry, it blends inventive horror visuals with emotional depth, turning familiar slasher tropes into a doorway out of isolation and loneliness while celebrating cinema’s power to transform us.

Hannah Einbinder Dives Into Cross-Generational Chaos in Camp Miasma
entertainment25 days ago

Hannah Einbinder Dives Into Cross-Generational Chaos in Camp Miasma

Hannah Einbinder shifts from Hacks to Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, playing a queer director who becomes obsessed with Gillian Anderson’s ‘final girl’ in a cross-generational, psychosexual drama that riffs on horror’s sex-and-power tropes; Schoenbrun’s third feature opens August 7 and uses the final girl concept to explore identity, sexuality, and messy creative dynamics.

Comedy Queens Convene: Roundtable Reflections on Fame, Feedback, and Farts
entertainment2 months ago

Comedy Queens Convene: Roundtable Reflections on Fame, Feedback, and Farts

The Hollywood Reporter’s Comedy Actresses Emmy Roundtable gathers Keke Palmer, Lisa Kudrow, Quinta Brunson, Rachel Sennott, Hannah Einbinder, and Ashley Padilla at The Georgian Hotel to swap stories about auditions, bombing, social media feedback, and navigating a high‑pressure, highly visible industry. They discuss staying true to their comedic voices, the impact of publicists and labels, the differences between improv and stand‑up, and the evolving landscape for women in comedy—from Groundlings to network TV—emphasizing mentorship, collaboration, and resilience over rivalry.

Cannes Debut Aims to Heal America’s Sexual Psyche
entertainment3 months ago

Cannes Debut Aims to Heal America’s Sexual Psyche

At Cannes, Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma opens in Un Certain Regard as a deeply personal, queer meditation on sex, trauma, and healing. In a Q&A, Schoenbrun discusses drawing from their own journey as a trans, nonbinary creator, the film’s provocative, intimate sex scenes, and its aim to provoke conversation about consent and America’s sexual psyche, with standout performances by Hannah Einbinder and Gillian Anderson.

Hannah Einbinder: Speaking Up for Palestine Is Worth the Risk
entertainment3 months ago

Hannah Einbinder: Speaking Up for Palestine Is Worth the Risk

At Cannes, Hannah Einbinder says she won’t let fears of being blacklisted silence her advocacy for Palestine, arguing the cost of not speaking out is higher. She discussed the Cannes world premiere of Camp Miasma and her collaboration with Gillian Anderson at the Kering Women in Motion talks, praised Palestinian and Jewish allies, and suggested she’d love to work with other pro‑Palestine celebrities as she reflects on the final season of Hacks. Camp Miasma opens Aug. 7 in theaters via Mubi.

Cannes Showcases Camp Miasma's Transgressive Slasher to Standing Ovation
entertainment3 months ago

Cannes Showcases Camp Miasma's Transgressive Slasher to Standing Ovation

At Cannes, Jane Schoenbrun's horror film Teenage Sex and Death at Camp Miasma received a warm reception, including a near-six-minute standing ovation after its Debussy Theatre world premiere; the reboot-focused slasher, starring Einbinder and Anderson, aims to spark conversations about sex, gender, and trauma and will be released by Mubi on August 7, 2026.

Schoenbrun’s Camp Miasma Turns Personal into Provocative Horror at Cannes
entertainment3 months ago

Schoenbrun’s Camp Miasma Turns Personal into Provocative Horror at Cannes

At Cannes, Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma uses a fictional 1980s slasher as a surreal conduit to explore self, sexuality, and identity, blending arthouse abstraction with sharp humor. Led by Hannah Einbinder and Gillian Anderson, the film is strange and sometimes alienating but emotionally resonant, ultimately offering a generous, self-revealing meditation on body, desire, and writing one’s own story.