All articles tagged with #louis ck
IndieWire’s review of Louis C.K.’s first Netflix stand-up since the 2017 scandal finds Ridiculous a bleak, underdeveloped set that dwells on misery without new insights or accountability, rehashing familiar pain and offering little self-examination; Netflix’s platforming of C.K. is depicted as sad rather than triumphal, earning a Grade of C-.
Louis C.K. re-enters mainstream comedy with the Netflix special Ridiculous, his first major stand-up since #MeToo; the piece argues he hasn’t truly changed—delivering sharp, provocative humor with a gleeful amoral edge and little acknowledgement of past misconduct—while noting his profitability and ongoing touring make a full redemption unlikely, even as some fans and critics debate what accountability should look like.
Louis C.K.’s Netflix special Ridiculous marks a high-profile return to the mainstream after the 2017 allegations, with Netflix paying for the privilege and positioning the hour as part of its broader comedy slate. The set blends provocative bits on AIDS, the Holocaust, and other taboo topics with aging and family anecdotes, all delivered in his signature self-deprecating, sharp-witted style. The review underscores his continued comedic talent and audacity, but also notes lingering discomfort among some observers and accusers about his return to mainstream platforms.
Blake Lively and Justin Baldoni settled their defamation suit ahead of trial, with no confirmed cash exchange but reportedly millions in legal fees cited; meanwhile Louis C.K. is back in Netflix, headlining the Netflix Is a Joke festival, signaling a notable comeback. The Hollywood Winners & Losers column also touches on Met Gala chatter, Disney’s earnings, and Warner Bros.’ streaming-related results.
Louis C.K. headlined Netflix is a Joke at the Hollywood Bowl, drawing a standing ovation as he closes his worldwide Ridiculous tour. He did not address the 2017 sexual misconduct allegations, instead delivering his raunchy routine, while Netflix plans to release his new comedy special Ridiculous this summer as he quietly rebuilds his career.
Netflix’s stand-up chief defends booking Louis C.K. for Netflix Is a Joke, arguing the decision reflects audience demand and a strong current special, despite the 2017 misconduct allegations; the move suggests C.K.’s return to the mainstream and mirrors a broader trend of brand-safe comebacks across entertainment, with other institutions having welcomed him back as well.
Netflix’s comedy chiefs defend booking Louis C.K. for a new Netflix special at the Netflix Is a Joke Fest amid backlash over his 2017 misconduct, while previewing the festival’s star-studded lineup, the futures of shows like I Think You Should Leave, and Netflix’s broader stand-up strategy and world-wide expansion (as Hulu remains a competitive pressure).
The article criticizes Louis C.K.'s justification for performing in Saudi Arabia, highlighting the hypocrisy of comedians like Bill Burr and Dave Chappelle who criticize cancel culture but accept money from oppressive regimes, and condemns Saudi Arabia's use of entertainment to whitewash its human rights abuses and authoritarian image.
Louis CK defended his decision to perform at the Riyadh comedy festival, viewing it as a positive opportunity for comedy to open up in Saudi Arabia despite criticism over human rights concerns and the festival's ties to the Saudi government. Some comedians expressed mixed feelings, with others like Jessica Kirson and Bill Burr highlighting the potential for positive change and visibility, while critics argue it whitewashes human rights abuses.
Louis C.K. defends his participation in the Riyadh Comedy Festival, viewing it as a positive opportunity to engage with a developing comedy scene in Saudi Arabia, despite criticism from other comedians who question the morals of performing in the country. He highlights the surprising openness of the audience and the potential for dialogue, while others like David Cross criticize the decision as hypocritical given the country's restrictions.
Louis C.K. defends his decision to perform at the Riyadh Comedy Festival, viewing it as a positive opportunity for comedy to open up in Saudi Arabia despite the controversy and restrictions related to the country's political and religious sensitivities.
Louis C.K. expressed mixed feelings about performing at the Saudi Arabia Riyadh Comedy Festival but ultimately sees it as a positive opportunity to engage with local comedians and promote comedy in the region, despite ongoing human rights concerns and backlash from peers.
The 2025 New York Comedy Festival, taking place from November 7-15, features over 200 comedians and more than 100 shows, including a reunion of Strangers With Candy and performances by notable comedians like Margaret Cho, Pete Holmes, and Louis C.K., who is making a notable comeback after past controversies.
The documentary "Sorry/Not Sorry" explores the rise and fall of comedian Louis C.K. in the wake of sexual harassment allegations, focusing on his behavior towards female comedians. The film attempts to provide a timeline of C.K.'s actions being exposed to the public, featuring interviews with comedy figures and writers. However, the documentary feels undercooked and lacks a clear thesis, serving more as an information piece rather than offering new insights. It highlights the difficulty women face in navigating the comedy industry's boys' club and the public evaluation of whether they should care about their experiences. The film concludes with a discussion on cancellation and the lack of consensus on the matter, leaving the question of change unanswered.
Comedian Louis C.K. has sold his historic Soho townhouse for $5.8 million, taking a loss on the property he bought for $6.5 million in 2012. The five-bedroom property was listed for $8.49 million in September 2020 before being reduced to $6.5 million in December. The 19th-century townhouse has 13 rooms, including a yard and second-story terrace, and is part of the longest row of Federal and early Greek Revival homes developed by John Jacob Astor.