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Rock

All articles tagged with #rock

Triumph Expands 50th Anniversary Tour With Leg Two and April Wine
music19 hours ago

Triumph Expands 50th Anniversary Tour With Leg Two and April Wine

Triumph announces leg two of its 2026 “Rock & Roll Machine Reloaded” tour to celebrate 50 years, adding 16 U.S. shows with April Wine as special guest. The run runs November–December across major markets from the Midwest to the West Coast, ending Dec 12 in San Diego (with Dec 10 in Los Angeles). Tickets go on artist presale Aug 25, Citi presale at noon, and general sale Aug 27 via LiveNation; $1 from every ticket supports the SoundsUnite charity. The lineup features Rik Emmett, Gil Moore, Phil X, Todd Kerns and Brent Fitz, continuing Triumph’s iconic arena-rock legacy.

ZZ Top Drummer Frank Beard Dies at 77, Ending a 56-Year Run
music7 days ago

ZZ Top Drummer Frank Beard Dies at 77, Ending a 56-Year Run

Frank Beard, ZZ Top’s longtime drummer for 56 years, died at 77 in hospice at his Texas ranch after health issues that led the band to cancel a Hollywood Bowl show. Beard joined ZZ Top in 1969, forming the core lineup with Billy Gibbons and Dusty Hill (who died in 2021). Elwood Francis has filled in on bass, and ZZ Top plans to resume touring with a fill-in drummer.

ZZ Top Drummer Frank Beard Dies at 77 in Texas Hospice
entertainment7 days ago

ZZ Top Drummer Frank Beard Dies at 77 in Texas Hospice

ZZ Top drummer Frank Beard died at 77 in hospice in Richmond, Texas, on Aug. 17, after health issues that briefly paused touring; the band canceled Aug. 18–19 shows and planned to resume Aug. 22–23 with Michael Monahan filling in; Beard, who joined ZZ Top in 1971, was the only member without facial hair in the popular era, and his death leaves Billy Gibbons as the sole surviving member of the band's classic lineup, following Dusty Hill's 2021 passing.

Ritchie Blackmore to guest with Deep Purple for a rare onstage reunion
bands-and-artists13 days ago

Ritchie Blackmore to guest with Deep Purple for a rare onstage reunion

Guitar legend Ritchie Blackmore will join Deep Purple onstage tonight for the first time since 1993, reportedly performing a single encore at Jones Beach Theater in Wantagh, New York. He hinted on Instagram Live that the appearance is for old times’ sake, marking a rare reunion with the band’s classic lineup after three decades apart.

Charli XCX Flips Fame on Its Head with a Short, Rock-Infused Reflection
culture1 month ago

Charli XCX Flips Fame on Its Head with a Short, Rock-Infused Reflection

Slate’s Carl Wilson argues Charli XCX’s Music, Fashion, Film is a compact 30-minute meditation on fame, mortality, and art’s impermanence, blending live instruments with experimental electronics to undermine the It Girl image and deliver a cohesive, high-energy critique that rewards listening to the album as a whole rather than track by track.

Rolling Stones Blend Classic Swagger with Modern Craft on Foreign Tongues
music1 month ago

Rolling Stones Blend Classic Swagger with Modern Craft on Foreign Tongues

Pitchfork’s Stuart Berman argues Foreign Tongues, built from Hackney Diamonds outtakes and produced by Andrew Watt, tightens the Stones’ groove with a rhythm-forward approach that leans into contemporary pop craft while maintaining their swagger. The album features high-profile guests (Paul McCartney, Benmont Tench, Bruno Mars, Robert Smith) and a bold cover of Amy Winehouse’s You Know I’m No Good, and it’s framed as an improvement on Hackney Diamonds that sometimes recalls Some Girls in spirit, even as it wrestles with balancing spontaneity and calculated precision.

music1 month ago

Rolling Stones Still Have It: Foreign Tongues Delivers Grit, Space, and Surprises

Marc Burrows’ review finds Foreign Tongues largely proves The Rolling Stones still have their grit and groove, with Watt’s production giving the songs a punchy, expansive feel and high-profile guests like Paul McCartney, Steve Winwood, and even a posthumous Charlie Watts moment adding weight. The album spans multiple decades of rock and yields three standout tracks that hold up alongside the band’s classics, but it’s hampered by overlong runtimes and moments where the production flattens dynamics and the choruses sound overly glossy. If anything, it confirms the Stones aren’t chasing relevance so much as continuing to make music for the fun of it, closing with a vintage Chuck Berry cover that seals the full-circle moment. A flawed but engaging late-career statement that’s worth a listen.