All articles tagged with #tv reviews
Variety’s two-episode premiere recap of Dutton Ranch (a Yellowstone spin-off) follows Beth Dutton and Rip Wheeler as they navigate a burned ranch, shifting loyalties, and a web of murder and power plays, introducing new players like Beulah Jackson and Oreana while keeping fans guessing about the season’s dark twists.
This week’s TV reviews span Half Man’s tense family fallout and a looming perjury decision, The Other Bennet Sister’s empathetic Austen reboot focused on Mary’s self-discovery, The Boys’ final season skewing toward Soldier Boy’s power plays and the V1 crisis, and Amadeus’ lavish but uneven Mozart-Salieri drama, all delivering strong performances even when some stories lag.
Multi-show TV review roundup: Rooster feels stuck as Greg's arc wraps; The Audacity remains sharp but grim; Euphoria delivers wedding-day chaos and a brutal wake‑up call; Quantum Leap leans on nostalgia but mostly spins its wheels.
A round-up of four new episodes—Euphoria’s nostalgia-tinged season 3 episode 2, The Pitt’s Robby-centric finale, Hacks’ Season 5 send-off, and Beef season 2’s expanded, high-stakes drama—highlighting strong performances and writing, with recurring themes of reinvention, fame, and the cost of ambition, though pacing varies across the pieces.
AV Club's TV review roundup covers four new episodes: Apple TV+'s Margo's Got Money Troubles is a sharp Gen Z family dramedy about money, sex work, and capitalism led by Elle Fanning; The Fall And Rise Of Reggie Dinkins delivers a warm, ensemble-driven finale that neatly wraps its arc; The Comeback probes AI-generated jokes and production chaos as Valerie fights to keep her show afloat; Rooster centers on Greg Russo's evolving romance and teaching life on a campus backdrop, with HBO renewing for season two.
A roundup of four TV reviews: The Pitt's season-2, episode-14 installment '8:00 P.M.' clocks in at 41 minutes and largely punts major character payoffs to next week’s finale, centering on Robby, Langdon, and Duke with intervention as a through-line; Hacks returns for its final season with Deborah Vance plotting a legacy-defining EGOT and clashing with Bob Lipka as Ava pushes the comeback; Netflix’s Big Mistakes follows siblings Nicky and Morgan as they dive into Glenview’s criminal underworld, delivering dark comedy and a strong cast but pacing that drags at times; The Boys’ final season premiere leans into familiar chaos as Homelander consolidates power, Soldier Boy returns, and Billy and MM plot a Supe-killing virus, all while characters face losses and questions about how the endgame will land.
Critics survey a crowded slate: HBO’s Rooster opens with a warm-but-exposition-heavy setup as Greg Russo seeks a fresh start; Dark Winds delivers taut pacing and strong character beats, including a tense Los Angeles arc and a Joe Leaphorn–Emma reunion; Ryan Gosling’s SNL hosting provides several standout moments but also plenty of breaks and uneven bits, with Weekend Update feeling off; The Pitt offers emotionally resonant hospital-family drama in “3:00 P.M.”, ending on a waterslide-related cliffhanger that could shift the season’s stakes.
Bridgerton season 4, part 2 delivers its strongest romantic arc to date with Benedict and Sophie, resolving the cliffhanger in a mature, grounded way, while Hijack’s second season stalls on suspense; The Gray House offers fascinating Civil War history hampered by overstuffed plotting; Monarch: Legacy Of Monsters season 2 struggles with jargon and pacing, though Titan X’s emotional arc and Keiko’s story offer moments of resilience.
The article lists the top 10 TV episodes of 2025, highlighting a diverse range of genres and styles, from a baseball-themed episode of 'Abbott Elementary' to Spike Lee's powerful documentary on Hurricane Katrina, and includes standout moments from series like 'The Last of Us,' 'The Bear,' and 'King of the Hill,' showcasing both quiet brilliance and dramatic spectacle.
The article reviews the top TV shows of 2025 so far, highlighting a diverse array of genres including drama, comedy, crime, and fantasy, with notable series like Netflix's 'Adolescence,' 'A Cruel Love,' and 'Power Book III: Raising Kanan,' as well as innovative takes on superhero stories, family dramas, and satirical comedies, reflecting the rich landscape of contemporary television.
'Smoke' is a compelling true crime series on Apple TV+ that explores arson through the perspectives of an investigator and a detective, featuring strong performances, intriguing twists, and a dark, atmospheric tone. The show balances suspense, character depth, and dark humor, making it a satisfying watch despite some narrative stretches in later episodes.
"Dexter: Original Sin," a prequel to the popular series, struggles to offer fresh content, instead rehashing familiar storylines and characters from the original show. Set in 1991, it follows a young Dexter as he begins his career in the Miami police department, but fails to fill in significant gaps in his backstory. Despite new cast members like Christian Slater and Sarah Michelle Gellar, the series leans heavily on nostalgia and established lore, offering little innovation or depth.
"No Good Deed," a Netflix black comedy created by Liz Feldman, stars Ray Romano and Lisa Kudrow as a couple trying to sell their Los Angeles villa amidst a backdrop of secrets and suspense. The show, which features a strong cast and setup, explores themes of real estate and personal history, though it sometimes relies too heavily on plot twists. Despite this, the series offers a satirical look at affluent yuppies and allows its lead actors to showcase their dramatic talents.
"No Good Deed," a Netflix series created by Liz Feldman, features Lisa Kudrow and Ray Romano as a couple navigating grief, a failing marriage, and the chaotic Los Angeles real estate market. The show, reminiscent of Feldman's "Dead to Me," combines humor and pathos with a twist-filled narrative, though it sometimes struggles with overly clever storytelling. Despite its chaotic plot, strong performances by Kudrow and Romano anchor the series, offering perceptive insights into relationships and grief.
Disney+'s 'Dream Productions,' a spinoff of Pixar's 'Inside Out,' is a bland and forgettable series that lacks the emotional depth and psychological insight of its predecessors. Set between the two 'Inside Out' films, it follows the dream-producing studio responsible for Riley's dreams but fails to add meaningful content to the Pixar universe. Despite featuring voices like Maya Rudolph and Paula Pell, the series is criticized for its lack of engaging characters and its failure to connect with the original films' themes.