Stitched Power: What the Bayeux Tapestry Reveals About Medieval Masculinity
The 11th‑century Bayeux Tapestry, soon to be shown at the British Museum, treats virility as power through male‑centered battle scenes and even genital motifs; scholars say women largely serve as emotional punctuation and the borders carry subtext about power relations. Likely commissioned by Bishop Odo, the work’s discussion is broadened by the 1885 Reading Museum replica—stitched by women—highlighting female creators and inviting renewed debates about gender, artistry, and how history is told.
