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Art And Culture

All articles tagged with #art and culture

Turner's 'Rome, from Mount Aventine' Returns to Italy for Pre-Auction Display
art-and-culture14 days ago

Turner's 'Rome, from Mount Aventine' Returns to Italy for Pre-Auction Display

JMW Turner's 1836 painting 'Rome, from Mount Aventine' is on public display in Rome from September 29 to October 1 before heading to a London auction on December 9, where it is estimated to fetch £50 million. The work, which depicts the Tiber River and the city from the Aventine Hill, is remarkably well-preserved, retaining original canvas, frame, and visible traces of Turner's fingerprints and brushwork. It was commissioned in the late 1820s by Hugh Andrew Johnstone Munro and has changed hands only twice since its creation, most recently in 2014 for £30.3 million. Sotheby's describes it as one of the few major Turner works remaining in private ownership, with Mario Tavella expressing hope that it will be acquired by a public museum.

Milwaukee Art Museum Restitutes and Reacquires Enslaved Artist David Drake's Stoneware Jars
art-and-culture16 days ago

Milwaukee Art Museum Restitutes and Reacquires Enslaved Artist David Drake's Stoneware Jars

The Milwaukee Art Museum is set to announce the return of two stoneware jars by enslaved artist David Drake to his descendants. The museum subsequently repurchased one of the pieces for display, mirroring a 2025 agreement with the Museum of Fine Arts, Boston. This move supports the family's efforts to reconnect with their heritage while allowing the public to view the work.

Aperture Reopens on Upper West Side After Four-Year Renovation of Historic Landmark
art-and-culture24 days ago

Aperture Reopens on Upper West Side After Four-Year Renovation of Historic Landmark

Aperture, the nonprofit photography organization, officially opened its new headquarters and gallery at 380 Columbus Avenue on September 18, 2026. The move to the Upper West Side concludes a four-year renovation of a historic 1880s building, replacing its previous Chelsea location which had been closed since 2018. The 10,000-square-foot space features a public gallery, bookstore, and event area, designed to be accessible and free to the public.

Robert Beck Explains the Science and Myth of Rainbows in New Upper West Side Feature
art-and-culture26 days ago

Robert Beck Explains the Science and Myth of Rainbows in New Upper West Side Feature

Robert Beck’s latest 'West Side Canvas' installment combines a painting with an essay exploring the physics and cultural significance of rainbows. Published by West Side Rag, the piece details how rainbows form through light refraction in water droplets and why they are often missed in urban environments due to building obstructions. Beck also addresses the phenomenon of secondary rainbows, noting their reversed color order and dimmer appearance. The article includes a lighthearted, satirical remark suggesting that Upper East Side residents do not see rainbows because they do not believe in science, a line that generated mixed reactions from readers. Beck invites community members to suggest local subjects for future columns and directs readers to his studio and previous works.

Taryn Simon’s Guggenheim Show Traces America’s Hidden Trauma Through a Single FBI Agent’s Career
art-and-culture28 days ago

Taryn Simon’s Guggenheim Show Traces America’s Hidden Trauma Through a Single FBI Agent’s Career

Photographer Taryn Simon has unveiled a major exhibition at the Guggenheim titled 'Father Country I Do Love You,' which uses the career of a retired FBI agent to map the long-term human consequences of American state power. The project, developed over nearly a decade, connects major national tragedies like the 9/11 attacks and the TWA Flight 800 crash to the personal lives of those affected by surveillance and government intervention. Simon’s work blends journalistic rigor with conceptual art, exploring how state actions reverberate through decades, affecting individuals far beyond the immediate events. The exhibition includes intimate portraits, such as a birth scene captured in a New Hampshire hospital, illustrating the artist’s method of embedding herself in private moments to reveal broader societal narratives.