All articles tagged with #animation
A critics’ take is that Coyote vs. Acme wastes its premise by turning into a tepid courtroom drama, failing to effectively use its beloved cartoon icons and delivering uneven humor and a disjointed story rather than a fresh, cohesive film experience.
Ukraine sanctioned Animaccord Animation Studio and several key Masha and the Bear producers for allegedly spreading pro-Kremlin narratives and funding the Russian state, a move Kyiv says counters propaganda aimed at children; Animaccord disputes the charges, insisting it operates independently, while the Kremlin denounces the sanctions.
Netflix confirms Blue Eye Samurai will end with a third and final season. Season 2 is slated to premiere in January 2027, while Season 3 has begun production for a 2028 debut. Created by Amber Noizumi and Michael Green, the animated series follows Mizu on a quest for justice and has earned Primetime Creative Arts Emmy Awards.
Paramount+ will release all 10 episodes of the Golden Axe animated series on September 16, featuring Matthew Rhys and Danny Pudi among the voice cast, with production from Eye Animation Productions, CBS Studios, Sony Pictures Television, and Original Film. The show adapts SEGA’s classic arcade game, following Ax Battler, Tyris Flare, and Gilius Thunderhead as they team up to stop the returning Death Adder.
Laika’s Wildwood trailer showcases a sweeping, adult‑oriented stop‑motion fantasy from director Travis Knight, with a star-studded voice cast and visuals that suggest a major leap for the technique; the film opens October 23, 2026 through Fathom Entertainment.
A low-budget Chinese animated film, Niu Lai, started with tiny box-office receipts (about 10,000 yuan in the first 10 days) but went viral as memes and word-of-mouth propelled demand, pushing total takings to about 17.1 million yuan and even drawing comparisons to The Odyssey as cinemas added screenings to meet demand.
A two-person, low-poly Chinese animated film called Niu Lai (The Cow is Coming) went from a box-office flop to a viral sensation after online posts mocking its crude visuals and baffling plot spread across social media. Promoted by fans and media as a human-made, anti-AI success story because it was created by a mother-and-son team, the film has sparked debate over art, technology and gatekeeping. The unexpected surge in attention—paired with hand-painted posters and rapid box-office growth measured in tens of millions of yuan—has drawn scrutiny from state media and commentators who warn cinemas not to lower standards, while others celebrate the ingenuity of a tiny, human-made production.
An obscure Chinese animated film, Niu Lai, known for rough 3D visuals and sharp online mockery, unexpectedly surged at the box office after its Aug. 5 release, rising from about 10,000 yuan in the first 10 days to 17.1 million yuan total as memes and curiosity drew crowds; the project was reportedly created over five years by two people, and some viewers praise its simple, bedtime-story charm despite the controversy.
An 86-minute, two-person-made Chinese animation called Niu Lai (The Cow is Coming) defied expectations by becoming a sleeper box-office hit in China. Initially earning just 7,700 yuan in its first 10 days and lacking promotion, it surged to over 14.9 million yuan as online memes fueled audience interest, ranking alongside big releases such as The Odyssey and Spider-Man: Brand New Day. Its appeal lies less in polished craft and more in its amateur, handcrafted charm, a counterpoint to slick modern animations. The success has sparked mixed reactions within the industry, with some praising the idea of 'so bad it's good' and others calling it an embarrassment for Chinese cinema.
A micro-budget Chinese animation called Niu Lai went viral for its terrible graphics and tangled plot, boosting its box office to over 11.4 million yuan after an initial 7,705 yuan in the first 10 days. The surprise hit has led cinemas to add screenings and even staff-drawn posters, while social media praises its handmade charm and jokes about avoiding AI. State media cautions that films with low quality threaten audience trust and urges cinemas to uphold standards.
Disney unveiled a first-look at Frozen 3 at D23, confirming Anna and Kristoff’s wedding and a perilous journey that sees a new villain crash the ceremony; the film opens November 24, 2027, with Idina Menzel, Kristen Bell, Josh Gad, and Jonathan Groff returning, as Elsa navigates her icy powers and the sisters’ adventures, and Frozen 4 was also teased.
Pixar released the first look at Incredibles 3 during the D23 showcase, confirming the Parr family—Violet, Dash, and Jack-Jack—will lead the story in a post-legal-superhero world. Peter Sohn takes over directing from Brad Bird (who remains involved as a writer), with Bird also pursuing his own project Ray Gunn. The returning voice cast includes Craig T. Nelson, Holly Hunter, Sarah Vowell, and Samuel L. Jackson, and Edna Mode is back; the film was announced at D23 in 2024 and is slated for a June 16, 2028 theatrical release.
PAW Patrol: The Dino Movie is a kid-friendly, dinosaur-filled adventure that sticks to familiar beats, pairing the pups with dinosaurs on Dino Island, a star-studded voice cast (including Jennifer Hudson, Snoop Dogg, Paris Hilton, Bill Nye) and upbeat messages about learning from mistakes as Mayor Humdinger stirs trouble.
Nancy Cartwright, who voices Bart Simpson, says The Simpsons could end after Season 40, a timeline that aligns with Disney’s current rights arrangements; with Season 38 upcoming and a The Simpsons Movie 2 planned for 2027, the show’s future may hinge on whether Disney renews the rights or moves the franchise to Disney+, potentially keeping Springfield alive in new forms.
Netflix’s six-episode animated comedy Alley Cats, created by Ricky Gervais, follows Gus and a ragtag London cat crew as they bumble through life with crude banter, while a melancholy undercurrent about hardship and companionship gives the series a surprisingly bittersweet heart and ends on a quietly resonant note.