All articles tagged with #misty copeland
After Timothée Chalamet’s remarks disparaging ballet and opera at a town hall, Jon Stewart joked on The Daily Show that “opera and ballet have defeated” him following his Oscar loss, highlighting Misty Copeland’s Oscar performance and defending the arts against his critics.
On The Daily Show, Jon Stewart joked that opera and ballet defeated Timothée Chalamet after his remarks about preserving art forms like ballet and opera, highlighting Misty Copeland’s Oscars performance and triggering social-media backlash from the performing-arts community.
At the 98th Oscars, the cast of Sinners recreated the film’s signature sequence with a live performance of the Oscar-nominated I Lied to You, led by Miles Caton and Raphael Saadiq and featuring Misty Copeland on ballet, Brittany Howard on guitar, Alice Smith singing, and Shaboozey among others; the star-studded rendition, billed as a tribute to the movie’s singular visual style, followed the film’s bid for prestige as Sinners earned 16 nominations including best picture.
Misty Copeland challenged Timothée Chalamet’s dismissal of ballet and opera, arguing these art forms remain culturally meaningful and enduring beyond popularity. She noted her involvement with promoting Chalamet’s film and highlighted reactions from arts organizations offering discounted ballet tickets in response, as she continues to advocate for accessibility and prepares for an Oscars performance.
Misty Copeland rebutted Timothée Chalamet’s remarks about ballet and opera, arguing he wouldn’t have the movie-star opportunities he does without those arts, a stance that reignites backlash from ballet and opera communities and prompts pro-art responses from institutions like the Royal Opera House and Seattle Opera as the debate over the relevance and funding of live performance continues.
Misty Copeland pushed back against Timothée Chalamet’s comments about ballet and opera, noting she helped promote his film Marty Supreme and arguing that opera and ballet are enduring art forms with cultural relevance beyond movies; she also reminded that Chalamet’s opportunities are built on these art forms, and both are slated to appear at the Oscars, where Copeland will perform the film’s nominated song.
Misty Copeland challenged Timothée Chalamet’s remark that ballet and opera aren’t popular, stressing their 400-year cultural relevance and the ongoing impact of access and opportunity. She argued the arts have a vital place and that Chalamet wouldn’t be a film star without the traditions of opera and ballet, urging not to compare the mediums. The conversation unfolds as both Copeland and Chalamet are slated to attend the 2026 Oscars, with Copeland set to perform during a segment tied to the film Sinners while Chalamet is a Best Actor nominee.
Misty Copeland publicly pushed back on Timothée Chalamet's remarks that ballet and opera are no longer popular, saying these arts have endured for over 400 years and remain culturally relevant, with access and opportunity through her Misty Copeland Foundation. Chalamet's comments arose during a Variety/CNN Town Hall linked to his Marty Supreme promo, and the exchange drew responses from cultural institutions and celebrities as he faces Oscar attention.
Misty Copeland, the trailblazing Black principal dancer of American Ballet Theatre, reflects on her career, body changes post-pregnancy, and her farewell performance, emphasizing her journey of resilience, identity, and giving back to the community.
Misty Copeland, a trailblazing ballet dancer and the first Black woman promoted to principal dancer at the American Ballet Theatre, retired after 25 years. She reflected on her impactful career, her journey of self-discovery through dance, and her plans to influence the art form off-stage by joining ABT's board and advocating for diversity and inclusion in ballet.
Misty Copeland retired from American Ballet Theatre after a groundbreaking career as the first Black female principal dancer, celebrated for her contributions to diversity and her performances in iconic ballets, with a farewell gala at Lincoln Center attended by notable figures like Oprah Winfrey.
Misty Copeland retired from American Ballet Theatre after a groundbreaking career as the first Black female principal dancer, celebrated with a star-studded gala that highlighted her influence in promoting diversity in ballet. She plans to continue her advocacy work and explore new opportunities beyond performing.
Misty Copeland, the trailblazing Black principal dancer at American Ballet Theater, is retiring after 25 years with the company, with her final performance scheduled at Lincoln Center, marking the end of a distinguished career dedicated to advancing diversity in ballet.
Misty Copeland is retiring from her distinguished ballet career after 25 years with the American Ballet Theatre, where she broke barriers as the first Black female principal dancer. Her farewell performance includes a duet as Juliet, and her career has been marked by her advocacy for diversity and her work as an author. The event will be streamed live, celebrating her legacy and impact on ballet and culture.
Misty Copeland is retiring after 25 years with the American Ballet Theatre, leaving a significant legacy as the first Black woman principal dancer and a symbol of diversity and inclusion in ballet. Her career challenged traditional beauty standards and inspired broader conversations about race and representation in dance. Despite her departure, her efforts continue through her foundation to promote access and inclusivity in ballet, though systemic challenges remain in the art form.