All articles tagged with #paul thomas anderson
Paul Thomas Anderson’s documentary 'Cameron Winter at Carnegie Hall' is releasing in a 35mm roadshow starting November 20. The film captures Geese frontman Cameron Winter’s solo piano performance at Carnegie Hall in December 2025, featuring production by Benny Safdie and a meditative, intimate style that contrasts with typical concert films.
Paul Thomas Anderson’s 75-minute documentary 'Cameron Winter at Carnegie Hall' premiered at the New York Film Festival, capturing the Geese frontman’s solo piano performance from December 2025. Shot on 35mm and 16mm, the film is praised for its intimate, meditative style and is set for a wide theatrical release on November 20.
Paul Thomas Anderson’s new documentary, 'Cameron Winter at Carnegie Hall,' premieres at the New York Film Festival. The 75-minute film captures the Geese frontman’s solo piano performance from December 2025, shot on 35mm and 16mm. Critics praise its intimate, meditative style, comparing it to classic concert films like 'Stop Making Sense.'
Paul Thomas Anderson’s new documentary, 'Cameron Winter at Carnegie Hall,' premieres at the New York Film Festival, capturing the Geese frontman’s solo piano and voice performance from December 2025. The 75-minute film, shot on 35mm and 16mm, highlights Winter’s meditative style and is set for a wide theatrical release on November 20.
Paul Thomas Anderson’s new documentary, 'Cameron Winter at Carnegie Hall,' premieres at the New York Film Festival, capturing the Geese frontman’s solo piano and voice performance from December 2025. The 75-minute film, shot on 35mm and 16mm, highlights Winter’s meditative style and is set for a wide theatrical release on November 20.
Cooper Hoffman, the 23-year-old son of Philip Seymour Hoffman, discusses taking boundary-pushing parts in Gregg Araki’s I Want Your Sex and Luca Guadagnino’s Artificial as he forges a standalone path beyond his father’s legacy. He credits Paul Thomas Anderson with guiding his ascent, recalls Sundance nerves over explicit scenes, and features Olivia Wilde in the project, while also juggling a Hulu pilot and personal life as he expands his film and TV career.
Paul Thomas Anderson earns a long-awaited Oscar coronation as One Battle After Another wins six awards, including Best Director, Best Adapted Screenplay, and Best Picture, marking a late-career milestone that mirrors Scorsese’s patience and Nolan’s impact while validating a career spanning Boogie Nights, The Master, Phantom Thread, and more.
At the 2026 Oscars, Paul Thomas Anderson’s One Battle After Another defeated Sinners, winning Best Picture, Director and Adapted Screenplay among six awards (including Editing and Casting) while Sinners, despite a record 16 nominations and domestic buzz—driven by SAG support—could not close the overseas gap, as BAFTA-friendly international voters leaned toward One Battle After Another. Michael B. Jordan earned Best Actor for Sinners, Jessie Buckley won Best Actress for Hamnet, and Autumn Durald Arkapaw made history as the first woman of color to win Best Cinematography; Netflix took seven Oscars overall, underscoring a night shaped by extended voting windows and shifting momentum across the industry.
At the Oscars, Paul Thomas Anderson acknowledged ongoing critique of One Battle After Another’s depiction of Black women, noting that Teyana Taylor’s Perfidia is presented as a flawed, non-heroic character in a deliberately complex, generational story that ties into current events; he said the film’s approach isn’t heroic and that the discussion around race and politics remains unresolved.
Paul Thomas Anderson finally wins major Oscars—Best Adapted Screenplay, Best Director, and Best Picture—for One Battle After Another, while Amy Madigan takes Best Supporting Actress after a 40-year wait; Autumn Durald Arkapaw makes history as the first woman and Black person to win cinematography for Sinners. The night includes two standout musical performances, Conan O’Brien’s hosting, and an In Memoriam segment honoring Rob Reiner and others.
Paul Thomas Anderson's One Battle After Another won Best Director and Best Picture, beating Ryan Coogler's Sinners for the top Oscars prizes, while Sinners collected several technical awards and Michael B. Jordan won Best Actor for his dual role; Coogler also earned Best Original Screenplay.
The Hollywood Reporter’s awards-season overview by Mikey O’Connell catalogs the ongoing race’s highs and lows—from festive ovations in Europe and sharp emcee moments to relentless campaign energy around Timothée Chalamet and strategic moves by studios—while calling out overused tropes (like dead-children trauma) and weighing frontrunners amid a crowded field as the Oscars approach.
Colin Anderson won the Society of Camera Operators’ Camera Operator of the Year for One Battle After Another, PTA’s war-on-the-border epic that moves from armed border zones to desert chases; the award adds to a string of technical prizes for the film from groups including ACE, ADG, and the British Society of Cinematographers as SOC’s livestream announced the winners. On the TV side, Mark Goellnicht won for The Studio’s The Oner, and SOC president Matthew Moriarty praised the camera community’s resilience amid industry challenges like AI.
Teyana Taylor discusses her Oscar-nominated Supporting Actress turn as Perfidia in Paul Thomas Anderson’s One Battle After Another, detailing the character’s postpartum journey and revolutionary drive, her continued awards-season campaign amid the film’s 13 nominations, and the possibility of PTA revisiting the role in a future project.
Benicio Del Toro discusses his quiet, influential presence as Sensei in Paul Thomas Anderson’s One Battle After Another, the film’s Oscar buzz after 13 nominations, and his on-set bond with Leonardo DiCaprio. He explains his method as interpreting the writer and reshaping Sensei into a protector amid migrant-crisis drama, while reflecting on his Puerto Rican upbringing and his mother’s death—experiences that inform his choices and make his collaboration with non-actors and fellow stars a defining part of this return to Oscar conversation.