All articles tagged with #post production
Warner Bros. and DC Studios have again delayed The Batman Part II, moving its release to February 18, 2028 for an IMAX debut after previously targeting 2027 and originally 2025; the shift is part of a broader Warner Bros. calendar shuffle and follows production delays caused by Hollywood strikes, with the project now receiving more post-production time and a four-day domestic weekend window.
Warner Bros. and Jonah Hill pushed back on reports that Hill’s directorial film Cut Out is unreleasable, saying the project has simply been moved off the July release slate while remaining in post-production and awaiting a new release date; the film stars Kristen Wiig and marks Hill’s writing-directing effort, and no release date has been announced yet.
In Daredevil: Born Again, the death of Daniel Blake was changed after filming: the on-set scene did not include a gunshot, but post-production added a CGI gunshot to Blake’s death. Showrunner Dario Scardapane explained the original plan kept Blake alive with a resignation arc, but editing felt the ending wasn’t earned, prompting the change and heightening the stakes of Fisk’s storyline.
Blackmagic Design has unveiled DaVinci Resolve 19, the latest version of its popular NLE software, featuring a built-in film look creator, AI-powered tools such as IntelliTrack AI tracker, and new Fairlight audio features. The update also includes a "Defocus Background" tool, AI-powered UltraNR noise reduction, and enhancements for live TV broadcast capabilities. DaVinci Resolve 19 is currently in public beta, with the free version available and the Studio version priced at $295.
Blackmagic Design has launched the public beta of DaVinci Resolve 19, which introduces AI features, text-based timeline editing, film look creation, and more. The update focuses on using machine learning tools to accelerate common tasks for post-production professionals, with new features in editing, color grading, effects, audio, and delivery. The AI implementation aims to reduce tedious tasks, and new tools for Fusion and Fairlight are also included. DaVinci Resolve 19 is available in public beta, with the free version continuing to be offered and the Studio version priced at $295.
Netflix has decided to scrap the post-production of the Halle Berry-led sci-fi thriller The Mothership, citing the need for significant reshoots that would be expensive and difficult due to child actors aging. This decision follows similar cancellations of completed films by other studios, and comes amidst Netflix's impressive Q4 report with over 13 million new subscribers. Halle Berry has previously worked with Netflix on the release of Bruised and will next be seen in the streamer's action thriller The Union alongside Mark Wahlberg. No official statements have been made by Berry or Netflix regarding the decision.
Color grading has been a crucial part of filmmaking since the early days of cinema, even in the black and white era. Understanding the basics of color grading, including color correction, color space, RAW vs. Log footage, and creative LUTs, is essential for filmmakers. Film Riot provides a comprehensive guide to help beginners and those in need of a refresher navigate the intricacies of color grading in 2022.
James Cameron announced that Avatar 3 will be released on Christmas 2025, revealing that he will spend an extensive amount of time in post-production for the film. Cameron plans to make all his future films in New Zealand and expects to become a citizen of the country next year. He shot scenes for Avatar 3 and Avatar 4 concurrently with the first sequel to avoid age-related issues with the cast. Cameron also hinted at the introduction of fire as a symbolic element and two new cultures in Avatar 3.
The director of The Marvels, Nia DaCosta, has addressed reports of her leaving the film during post-production, clarifying that it was not as dramatic as it was made out to be. DaCosta explained that the film's release date was changed multiple times, resulting in a longer production process. She had a greenlit movie, Hedda, waiting for her in London, so they found a way to finish her work on The Marvels remotely. DaCosta's situation is not uncommon in Hollywood, and others have pointed out similar instances in the past. The Marvels is set to release in theaters on November 10.
The upcoming sequel to Warner Bros.'s 2018 DC movie, Aquaman and the Lost Kingdom, has undergone three rounds of reshoots, which is unusual for a film of this scale. The movie has faced delays and changes in leadership, with the original release date pushed back multiple times. The reshoots were prompted by concerns over story clarity and the inclusion of Batman, resulting in the replacement of scenes featuring Michael Keaton's version of the character with Ben Affleck's. Despite the challenges, the studio's willingness to invest in improving the film indicates their faith in its success. The Lost Kingdom is the final movie of the DC Extended Universe, and its release comes at a time when other recent DC films have underperformed at the box office. The filmmakers and studio are aware of the importance of post-production in shaping the final product, as demonstrated by the success of the first Aquaman film.
Ava DuVernay's overall deal with Warner Bros. TV is ending in May, but there is no drama and it was a mutual decision. DuVernay is currently focused on post-production for her film Caste and has not announced where she plans to move her television deal. She signed a five-year deal with the studio in 2018 worth around $100M and produced eight series under that agreement.
A new report from Variety alleges that Victoria Alonso, the former President of Physical, Post Production, VFX and Animation at Marvel Studios, was fired from her position by Disney Entertainment Co-Chairman Alan Bergman. The reason for her removal is unclear, but it may be related to complaints from Marvel VFX artists about the studio's post-production schedules. Some have blamed Alonso for the issues, while others have praised her professionalism. The disappointing response to Ant-Man and the Wasp: Quantumania may have also played a role in her termination. Marvel has yet to announce Alonso's replacement.
Victoria Alonso, a longtime executive at Marvel Studios, has left the company for unknown reasons. Alonso had been with Marvel since 2006 and served as co-producer on several films, including "Iron Man" and "Thor." She was also an executive producer on upcoming projects such as "Black Panther: Wakanda Forever" and "Ant-Man and the Wasp: Quantumania." Marvel's VFX work and treatment of artists have come under criticism in recent years. Alonso was among Marvel chief Kevin Feige's key deputies and her departure marks a rare example of high-level turnover at the successful studio.
Victoria Alonso, the president of physical, post-production, VFX, and animation at Marvel Studios, has exited the studio. Alonso oversaw all of Marvel's post-production, including its visual effects work, which has come under repeated criticism by visual effects professionals. Despite her sudden exit, Alonso is credited as a producer on upcoming Marvel films and Disney+ shows. She was also a producer on "Argentina, 1985," which won the Golden Globe for best foreign language film and received an Oscar nomination.