All articles tagged with #the end of oak street
David Robert Mitchell’s The End Of Oak Street rejects wonder in favor of brutal, feathered dinosaurs and a mean-spirited tone, reworking Amblin nostalgia with a suburban-family crisis and a time-travel twist to deliver a bold, flawed reimagining of dinosaur cinema.
Spider-Man: Brand New Day leads the weekend with about $70 million, pushing its domestic total to roughly $785.8 million and cementing its status as a top domestic earner; Christopher Nolan’s The Odyssey follows with $23.2 million, bringing its total to about $516 million; The End of Oak Street opens to around $21 million, a weak start for Warner Bros., while PAW Patrol: The Dino Movie adds about $20.5 million, with Katseye: Wild Hearts, Six: The Musical, The Brink of War, Toy Story 5, One Night Only, and Vishwanath & Sons rounding out the top 10.
Spider-Man: Brand New Day remains No. 1 at the domestic box office with about $67 million in its third weekend, bringing its U.S./Canada total to roughly $784 million and keeping it on a path toward $2 billion worldwide. In second, The Odyssey added $23 million and crossed $500 million domestic in its fifth weekend, with worldwide totals nearing $1.5 billion. Paw Patrol: The Dino Movie opened around $7.35 million on opening day and is tracking to about a $20 million weekend, while The End of Oak Street launched with roughly $18.7 million from 3,445 theaters on an $80 million budget, facing questions about staying power amid mixed word-of-mouth (CinemaScore B, 78% RT). Globally, Paw Patrol has accumulated about $45.6 million so far.
During a press tour for The End of Oak Street, Anne Hathaway argued that any film that kills a dog should automatically be rated R, saying audiences are traumatized by canine deaths regardless of language or violence and pointing to fan reactions around dog-related scenes in films like John Wick.
Warner Bros/Bad Robot's The End of Oak Street opens with previews around $2M in the U.S. from 3,200 sites, aiming for a global debut of $38M–$48M (domestic $18M–$23M; international $20M–$25M in 74 territories) on a wide 24,000-screen rollout. The PG-13 family adventure stars Anne Hathaway and Ewan McGregor as a neighborhood facing a prehistoric jungle and dinosaurs; production costs are cited at $80M–$92M, and Rotten Tomatoes shows 85% fresh.
Warner Bros.' 2026 slate is underperforming—every domestic release so far opened below $40 million—and the J.J. Abrams–produced The End of Oak Street is projected to open weakly; critics' praise could help salvage the film, but the studio faces a tougher road to rebound after a 46% year-over-year drop in theatrical revenue, with Emerald Fennell's Wuthering Heights being the year's top performer at about $241 million worldwide.
Warner Bros. releases The End of Oak Street in about 3,400 North American theaters with a projected $18–$23 million opening, while Paramount’s PAW Patrol: The Dino Movie hits over 3,500 locations with a domestic opening in the mid-to-high teens; both aim to chip away at Sony’s Spider-Man: Brand New Day, which is entering a third straight weekend atop the box office as the summer season pushes past $4 billion in worldwide grosses.
David Robert Mitchell’s The End of Oak Street drops dinosaurs into a 1982 suburban family tale, anchored by Anne Hathaway and Ewan McGregor, with striking cinematography that blends intimate drama and big-action chaos. While the tonal shifts and pacing aren’t perfect, the movie delivers a grounded, retro-dino ride that captures the era’s vibe and excitement, opening August 14, 2026.
David Robert Mitchell’s 'The End of Oak Street' is a lean, crowd-pleasing Amblin homage in which a suburban family is blasted back 250 million years by dinosaurs; with brisk 99-minute pacing, witty performances by Ewan McGregor and Anne Hathaway, and a playful score by Michael Giacchino, the film combines heart, humor, and thrilling setpieces to deliver the summer’s biggest surprise.
Spider-Man: Brand New Day is on pace to cross $700M in the U.S. domestically, with a current running total around $671.2M and an expected third weekend of $57–$72M, which would make it the fourth MCU title to hit $700M stateside. The upcoming weekend also features The End of Oak Street (Anne Hathaway and Ewan McGregor) aiming for about $20–$25M at roughly 3,400 theaters, plus PAW Patrol: The Dino Movie and several smaller releases; previews start Thursday as the box office race heats up.
Warner Bros.' The End of Oak Street has sparked strong early buzz from press screenings, with social critics calling it a brisk, Amblin-style sci‑fi survival thriller led by Anne Hathaway and Ewan McGregor. David Robert Mitchell’s film, produced by J.J. Abrams, blends suburban nostalgia with dinosaur peril and family drama, drawing comparisons to Spielberg-era adventures. Abrams downplays Cloverfield ties beyond a cast connection via Winstead; full reviews are embargoed until Aug. 12 ahead of the Aug. 14 wide release as Warner Bros. bets on a return to form.
Anne Hathaway is having a jam-packed 2026 with four films including The End of Oak Street, The Odyssey, Devil Wears Prada 2, and Mother Mary, and she’s also set to produce/star in the big-screen adaptation of Caro Claire Burke’s Yesteryear, while an adaptation of Colleen Hoover’s Verity is slated for October. She called the schedule bold but exciting, praising the original project directed by David Robert Mitchell as a standout, and confirmed The End of Oak Street arrives in theaters this week.
Anne Hathaway flaunted her baby bump on the green carpet at the world premiere of The End of Oak Street in Los Angeles, posing with her on-screen family Ewan McGregor, Maisy Stella and Christian Convery. She wore a celestial-blue and crimson Atelier Prabal Gurung top paired with jeans, as the survival thriller about a suburb dragged into an unknown dimension unfolds. The film opens internationally on August 12 and in North America on August 14 in theaters and IMAX.
Anne Hathaway, visibly pregnant, led the world premiere of Warner Bros.’ The End of Oak Street at the Steven J. Ross Theater in Burbank on August 9, 2026, joined by co-stars Maisy Stella, Ewan McGregor, Alexa Davis and Christian Convery, as well as producers J.J. Abrams, Hannah Minghella, Jon Cohen, David Robert Mitchell, Matt Jackson and Tommy Harper, and studio chiefs Pam Abdy and Michael DeLuca. Even near-100-degree heat didn’t deter attendees or photographers as the group hit the red carpet.