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Touch Expanded: Ann Hamilton’s Immersive, Large-Scale Art at the Cleveland Museum
3 hours ago•Source: The New York Times
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4.665 min•1 day ago
Hypnotic Reckoning: Lane and Metcalf Revive Death of a Salesman on Broadway
Joe Mantello’s Broadway revival of Death of a Salesman, anchored by Nathan Lane’s hypnotic Willy and Laurie Metcalf’s lucid Linda, uses minimalist, period-agnostic design to sharpen Miller’s meditation on the American Dream and white entitlement; the three-hour tragedy is haunting and timely, with Lane’s brassy virtuosity and Metcalf’s precise humanity turning the familiar tale into a stark, modern mirror.
4.445 min•11 days ago
Broadway's Dog Day Afternoon Misfires, Trashing Tension for Laughs
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Golden Toilet Statue Roasts Trump Renovations on National Mall
The Washington Post•11 days ago
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A Loyal Subscriber Fights to Save Boston's Symphony Hall
Slipped Disc•18 days ago
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Dario Fo at 100: a fearless satirist who fused laughter with justice
On his 100th birthday, Dario Fo is celebrated as a figure who fused populist theatre with sharp political satire—forming Nuova Scena, staging Mistero Buffo, and writing Accidental Death of an Anarchist and Can’t Pay? Won’t Pay! which brought protest theatre to wide audiences and earned him the Nobel Prize in Literature in 1997. Fo and his wife Franca Rame faced censorship, religious and political hostility, and numerous prosecutions, yet used comedy to confront cruelty, injustice and oppression, making theatre both entertaining and a vehicle for social change.
BSO board under fire as musicians prepare for pivotal meeting over Nelsons shake-up
A scheduled meeting between Boston Symphony Orchestra musicians and the Board of Trustees follows the abrupt dismissal of music director Andris Nelsons, drawing sharp criticism from a former bass trombonist who argues the trustees have breached the orchestra’s sacred trust and raising questions about governance, workplace culture at Symphony Hall, and plans to address declining audiences and philanthropy.
Kennedy Center to pause operations for two years amid leadership shakeup
The Kennedy Center’s board voted to shut down operations for two years after the July 4 celebrations and appointed Matt Floca as CEO, replacing Richard Grenell, in a leadership shakeup linked to President Trump’s involvement; the center reportedly renamed the facility the Trump Kennedy Center, a move scholars say would require congressional action, as artists and staff faced resignations and scheduling upheaval while representatives attended the meeting. Closure aims to repair the building and stabilize finances amid controversy.
Kennedy Center to pause operations for two years and appoint a new leader
The John F. Kennedy Center for the Performing Arts voted to shut down operations for two years as part of a major restructuring and announced the appointment of a new president, according to AP News coverage from Washington, D.C.
Kennedy Center Chief Grenell Leaves Amid Turmoil and Renovations
Richard Grenell is leaving as president of the Kennedy Center after a tumultuous year marked by cancellations and artist departures, as the center prepares to close for two years of renovations. Matt Floca will replace him, and the Trump administration highlighted Grenell’s coordination during the transition.
Tarantino Sets His Sights on the West End Stage
Quentin Tarantino will write and direct a new swashbuckling play, The Popinjay Cavalier, set in 1830s Europe. The production is from Sonia Friedman Productions and is slated to premiere in London's West End in early 2027, described as a rambunctious comedy of deception and disguise inspired by classic stage and screen epics. Tarantino has said he moved to theater to create an experience without interruptions like cell phones, offering a face-to-face, immersive audience experience.
Chile’s Smiljan Radić Wins Architecture’s Prestigious Pritzker Prize
Chilean architect Smiljan Radić was named the 2026 Pritzker Prize winner, making him the fifth Latin American laureate; the jury praised his radical originality and optimistic, site-responsive designs—from the Serpentine Pavilion in London to projects like Teatro Bíobío in Concepción. The prize, funded by the Hyatt Foundation, carries $100,000 and a bronze medal, and organizers highlighted the prize’s integrity even after a brief delay tied to a related controversy.
Met Opera’s Tristan und Isolde Reimagined: A Bold Birth-Death-Rebirth Vision
Met Opera’s Tristan und Isolde, staged by Yuval Sharon, presents a bold birth-death-rebirth concept that visually stacks an eye-like stage with a dual representation–will world, delivering a mostly immersive though uneven experience. Act I is visually striking but muddled; Act II offers a deeply romantic core that slows pacing; Act III finally pays off with a piercing Liebestod framed by the pregnancy twist. Davidsen’s Isolde and Spyres’s Tristan are standout anchors, lifting the production even as projections and some directorial choices—plus fluctuating conducting—divide opinion. Overall, it’s a memorable, ambitious interpretation that heightens Wagner’s philosophy while inviting debate over its execution.
Lise Davidsen Leads a Radical Wagner Return in the Met’s Tristan und Isolde
Lise Davidsen delivers a monumental Isolde in Yuval Sharon’s inventive Met staging of Tristan und Isolde, reimagining the Liebestod with a newborn and guiding the performance to a luminous, transformative finale that signals a new era for Wagner at the Met.
Pittsburgh Sculptor Thaddeus Mosley Dies at 99, Leaving a Monumental Public Legacy
Renowned Pittsburgh sculptor Thaddeus G. Mosley Jr., famed for monumental salvaged‑wood abstractions and an enduring array of public artworks, died at 99 after hospice care. A self‑taught artist who built a late‑career international profile (including a Carnegie International show and representation by Karma), Mosley’s work adorns sites from the Hill District to CMU and the August Wilson African American Cultural Center, with ongoing exhibitions and a forthcoming Arts Landing installation that extend his influential legacy.