All articles tagged with #dlss5
Despite a negative reception to Grace Ashcroft's DLSS5 redesign, RE Requiem's producer Masato Kumzawa says the backlash validates the original design and that Grace quickly became a fan favorite; director Koshi Nakanishi adds her emotional relatability as key to player engagement and hints she could return in future content.
New Blood Interactive CEO Dave Oshry and Dusk creator David Szymanski call for a consumer boycott of Nvidia's upcoming DLSS 5, arguing its AI-driven upscaling is misusing the DLSS name, relies on questionable data, and could alter art and realism; they urge developers to sever ties and pressure Nvidia to drop AI-based features, while noting DLSS 5’s release later this year and the broader debate about AI-assisted graphics.
PCMag tests Nvidia's DLSS 5 at GTC 2026, finding photorealistic improvements that dramatically elevate scenes in Oblivion Remastered and other titles, while also stoking controversy over AI-driven imagery and potential performance costs; the tech is early and currently demonstrated with dual RTX 5090 GPUs, with Nvidia promising developer control and broad support from studios like Bethesda, Capcom, and Ubisoft.
At GTC 2026 Nvidia unveiled DLSS 5, an optional AI-powered feature that fuses geometry control with generative AI via neural rendering; CEO Jensen Huang said critics are completely wrong, stressing its controllability by developers and that it isn’t post-processing. Partners like Bethesda, Capcom, Ubisoft and others showcased early demos and confirmed games (including Starfield and Resident Evil Requiem) set to use DLSS 5 this fall, with artists retaining final control to shape visuals.
NVIDIA unveils DLSS 5, a real-time neural rendering system that infuses game scenes with photoreal lighting and materials anchored to the source 3D content, enabling up to 4K gameplay with artist-controllable intensity and masking; backed by major publishers and set to arrive this fall, it’s pitched as the biggest graphics leap since real-time ray tracing.