All articles tagged with #drake
Drake breaks Michael Jackson’s solo-male record for the most No. 1s on the Billboard Hot 100, aided by the release of his three albums that led to a No. 1 debut and top chart performance, and he also ties Rihanna and Taylor Swift for the most No. 1s across all acts, with Beatles and Mariah Carey still ahead on the all-time list.
Drake dominates the Billboard charts, locking eight of the Hot 100 top 10 and amassing 42 Hot 100 entries across three new albums—Iceman, Maid of Honour and Habibti—led by the No. 1 debut of Janice STFU; the trio also claims the top three spots on the albums chart, making him the first artist to hold all three at once and pushing his tally of male No. 1s to 14.
Drake becomes the first artist to reach 400 total Hot 100 entries as 42 charting songs appear this week—the most concurrent entries ever—driven by the simultaneous release of ICEMAN, HABIBTI and MAID OF HONOUR (debuts at Nos. 1, 2 and 3 on the Billboard 200). He also reclaims No. 1 on the Billboard Artist 100 for a 39th week.
Drake’s ‘Janice STFU’ debuts at No. 1 on the Billboard Hot 100, giving him his 14th No. 1 and extending his solo-male No. 1 record while fueling a single-week Hot 100 entry record of 42 songs; the tracks come from ICEMAN, HABIBTI and MAID OF HONOUR, which lock the top three spots on the Billboard 200.
Drake makes Billboard history by debuting three albums—ICEMAN at No. 1, HABIBTI at No. 2, and MAID OF HONOUR at No. 3—on the Billboard 200 in the same week, led by ICEMAN’s 463,000 equivalent album units. HABIBTI and MAID OF HONOUR launch with 114,000 and 110,000 units, respectively, and the top four albums all exceed 100,000 units, marking the first time since 1956 that a single artist has occupied the top three spots concurrently. ICEMAN also gives Drake his 15th No. 1 album, tying him with Taylor Swift for the most No. 1s among soloists.
Defector’s Listening Habits columnist Israel Daramola reviews Drake’s three new albums—Iceman, Habibti, and Maid of Honour—totaling 43 tracks and about 2.5 hours, delivering a mostly objective take on the comeback amid backlash and related legal and sponsorship drama.
Drake stunned fans by releasing a three‑album trilogy, a move Gordo didn’t anticipate after working on material for about 18 months and expecting two albums. The producer helped shape eight tracks across Iceman, Habibti, and Maid of Honour, but Drake ended up doing much of the final stitching himself, steering the projects into experimental, club‑leaning territory with moments like Hoe Phase’s amapiano feel. Notable collaborations include Popcaan on Amazing Shape and Sexxy Red on Cheetah Print, plus a Peggy Gou sample. With the rollout finished, Gordo is returning to his own music while taking pride in his role in Drake’s latest era.
Pitchfork’s review hails Drake’s MAID OF HONOUR as a sprawling, genre-mixing club-rap record that signals a hungry, risk-taking comeback, blending dancehall, Jersey club, Afrobeat and an expansive production roster led by Gordo into a personal, volatile yet ambitious set of tracks.
Drake's Iceman trilogy (three albums totaling 43 tracks) lands as a massive, momentum-driven rollout that creates buzz but lacks lasting artistic cohesion. The review argues the project showcases Drake’s mastery of engagement in the streaming era—big hits, oversized tracklists, and moments designed for social media—yet feels formulaic, risk-averse, and ultimately more about extraction than lasting art, leaving a memory of the moment rather than a durable artistic statement.
Drake’s Iceman is arguably his strongest solo outing in a decade, thanks to inventive production, sharper flows, and a surprisingly cohesive visual rollout. The album relitigates old beef with Kendrick, Future, and more, threading bragging rights with moments of introspection, and it often lands on songs that push Drake into new vocal territory. It isn’t flawless—some lines and transitions feel forced, and the relentless beef-talk weighs it down at times—but overall Iceman marks a bold, technically skilled comeback that reconnects Drake with his best rap instincts.
Drake unleashes a three‑album salvo—Iceman, Habibti, and Maid of Honour—intended to reframe authenticity politics in hip‑hop by blending gritty rap with diasporic, dancefloor and regional Black music influences, turning past beef into a broader, more fluid artistic identity.
Pitchfork deems Drake's ICEMAN a lukewarm entry in his comeback trilogy, heavy on self-pity and feuds with thin production and preoccupation with streaming numbers and label drama, marking a missed opportunity to regain momentum.
Drake released Iceman, Habibti, and Maid of Honour within 24 hours, making him Spotify’s most-streamed artist in a single day in 2026. Iceman recorded the year’s top daily streams for an album, while Make Them Cry was the top-streamed song in a day so far in 2026, and the trio also delivered the biggest first-24-hour Amazon Music debut for any artist in 2026.
Drake set 2026 Spotify single-day records for most-streamed artist, most-streamed album (Iceman), and most-streamed song ('Make Them Cry') on May 15, as he released Iceman along with Maid of Honour and Habibti; BTS’ ARIRANG had previously led single-day album streams in 2026.
Drake’s midnight drop Iceman unleashes a feud-heavy set, calling out Kendrick Lamar over their Not Like Us fallout and a 2025 UMG lawsuit, while also targeting A$AP Rocky, LeBron James, DJ Khaled, Pusha T, and UMG chief Lucian Grainge, with references to his Atlanta ties and past clashes.