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Film Reviews

All articles tagged with #film reviews

Sorkin's 'The Social Reckoning' Arrives as a Stale Sequel in a Crowded Tech Film Slate
entertainment2 days ago

Sorkin's 'The Social Reckoning' Arrives as a Stale Sequel in a Crowded Tech Film Slate

Aaron Sorkin’s new film, 'The Social Reckoning,' opens in US and UK theaters on October 9, 2026. The movie dramatizes the 2021 'Facebook Files' leak by whistleblower Frances Haugen and Wall Street Journal reporter Jeff Horwitz, exposing Meta’s internal knowledge of user harms. While critics praise the sharp dialogue and performances by Mikey Madison and Jeremy Allen White, many argue the film feels dated and static compared to its 2010 predecessor, 'The Social Network.' It arrives amid a crowded slate of tech-critical films, including documentaries on Elon Musk and satires on OpenAI, and ends on a somber note acknowledging that Meta has since ended its fact-checking program.

Critics Pan Netflix's 'Unabomber' for Ignoring Ted Kaczynski's Core Philosophy
entertainment14 days ago

Critics Pan Netflix's 'Unabomber' for Ignoring Ted Kaczynski's Core Philosophy

Netflix's new biopic 'Unabomber,' starring Jacob Tremblay and Russell Crowe, has received largely negative reviews for prioritizing a generic coming-of-age narrative over the complex, anti-technological philosophy of Ted Kaczynski. Critics argue the film fails to engage with the psychological impact of the Harvard experiments or the true-crime aspects of the FBI manhunt, resulting in a shallow portrayal of a figure whose 35,000-word manifesto remains culturally relevant.

Critics Split on Tom Cruise’s ‘Digger’ as Audacious Satire Faces Box Office Doubts
entertainment16 days ago

Critics Split on Tom Cruise’s ‘Digger’ as Audacious Satire Faces Box Office Doubts

Tom Cruise’s new satirical drama 'Digger' has generated sharply divided critical reactions following early press screenings. While critics praise the film's bold aesthetic and Cruise's performance, many predict poor audience reception and box office returns. The film, directed by Alejandro G. Iñárritu, is set to release in theaters on October 2.

Hawke Delivers a Gritty ’70s-Style Heist Amid a Mixed Review Roundup
entertainment22 days ago

Hawke Delivers a Gritty ’70s-Style Heist Amid a Mixed Review Roundup

A four-film reviews roundup centers on Ethan Hawke’s restrained lead in Padraic McKinley’s The Weight, a 1930s Pacific Northwest prison-heist drama that nods to classic thrillers with practical effects and strong character work; it’s joined by Shaun The Sheep: The Beast Of Mossy Bottom (a warm, silent-stop-motion Halloween romp), The Stunt Driver (a sincere Canadian stuntman biopic led by Jay Baruchel), and Your Mother Your Mother Your Mother (Mahershala Ali in a tense thriller about faith and violence that struggles with its ambitions). Overall, Hawke’s standout performance anchors a mix of nostalgia-soaked homage, family-friendly entertainment, and uneven thematic explorations.

TIFF 2026 Opens With Ambitious World Premieres and Ensemble Dramas
film28 days ago

TIFF 2026 Opens With Ambitious World Premieres and Ensemble Dramas

The 51st Toronto Film Festival kicks off with opening-night Being Heumann and a slate of world premieres (I Play Rocky, Onwards and Sideways, Misty Green, The Assassin(s), A Talent for Murder, etc.), as Deadline previews a festival-wide mix of dramatic and genre titles and highlights standout performances (e.g., Erin Doherty in Faith, Naomi Watts in The Housewife) while promising ongoing reviews over TIFF's 10-day run.

Mud, Myth, and Misfire: The Uprising Struggles to Soar
entertainment28 days ago

Mud, Myth, and Misfire: The Uprising Struggles to Soar

A roundup of four new releases: The Uprising is hampered by muddy realism and unfocused plotting; Practical Magic 2 stalls with a dull, TV-style sequel approach; Hope crafts a strange, awe‑driven sci‑fi creature feature with an enigmatic ending; By Any Means overdoes the violence and thriller mechanics, though Yahya Abdul‑Mateen II anchors the film with nuance.

Legacy Nostalgia Overload: Practical Magic 2 Struggles Among 2026 Blockbusters
entertainment1 month ago

Legacy Nostalgia Overload: Practical Magic 2 Struggles Among 2026 Blockbusters

Across four reviews, the piece deconstructs four 2026 releases: Practical Magic 2 is blasted for rushing the setup and nostalgia-peddling; Na Hong-jin’s Hope earns faint praise for its audacious creature design and mood despite a sprawling, enigmatic runtime; By Any Means is criticized for overbearing violence and a thin script that undercuts its moral stakes; Runner is deemed forgettable outside of Alan Ritchson’s physical presence. Overall, the author suggests these high-profile sequels and thrillers struggle to justify their scope or recapture the charm of their predecessors.

Ridley Scott's The Dog Stars opens with a critics' split and a decade-low RT score
movies1 month ago

Ridley Scott's The Dog Stars opens with a critics' split and a decade-low RT score

Ridley Scott's post-apocalyptic drama The Dog Stars opened to a tepid 39% on Rotten Tomatoes, his lowest score in about 12 years, with critics divided: some praise mood and performances, while others call it derivative and low-energy. Guardian, Variety and The Independent were negative, while The Evening Standard and The Hollywood Reporter offered more muted or favorable notes.

Dystopian sex purge, aging fame, and splatter-filled mayhem: a round of summer film reviews
entertainment2 months ago

Dystopian sex purge, aging fame, and splatter-filled mayhem: a round of summer film reviews

A roundup of four new releases—One Night Only (a rom‑com satirizing a government sex purge with a disappointing anti‑sex ending), Late Fame (a tender look at aging artist Willem Dafoe), Ice Cream Man (Eli Roth’s gross, practical‑effects horror that outstays its welcome), and Soulm8te (an audacious but blunt AI‑romance thriller)—delivers mixed verdicts, from sharp satire to blunt exploitation and heartbreak.

July's Cinephile Roundup: Screwball Humor, Gen-Z Gags, and AI Family Dramas
entertainment2 months ago

July's Cinephile Roundup: Screwball Humor, Gen-Z Gags, and AI Family Dramas

July's film round-up serves a varied menu: Gregg Araki's I Want Your Sex brings cheeky screwball energy and social bite; Kevin Hart's 72 Hours on Netflix leans into generational comedy but is uneven; Avatar Aang: The Last Airbender on Paramount+ dazzles visually yet remains mostly fan-service; Koreeda's Sheep In The Box softer in tone, probes AI surrogate dynamics but struggles to find a tight dramatic through-line.

Waning Laughter, Roaring Spoofs: A Four-Film Review Roundup
entertainment3 months ago

Waning Laughter, Roaring Spoofs: A Four-Film Review Roundup

A quartet of new releases is surveyed: David Wain's Gail Daughtry And The Celebrity Sex Pass lands as a loose, uneven spoof with sporadic laughs; Sébastien Vaniček's Evil Dead Burn offers stylish visuals and tense craft but leans into a somber tone that drains the Deadite chaos; Disney's Moana live-action remake is criticized for flat CGI and energy, lacking the animated spark; Georgia Bernstein's Night Nurse is mood-driven and technically polished but hampered by thin characterization and unclear motivations. Taken together, the pieces showcase craft and strong performances in places, but the overall round feels unfocused and emotionally distant.

Evil Dead Burn Delivers a Dark, Family-Driven Gorefest
film-reviews3 months ago

Evil Dead Burn Delivers a Dark, Family-Driven Gorefest

In Evil Dead Burn, the sixth entry, the gonzo humor gives way to a stand-alone, tense family-horror drama propelled by practical effects. Directed by Sébastien Vaniček, it centers on a toxic family dynamic invaded by demonic forces, with standout performances—especially Souheila Yacoub as Alice—delivering a brutal, gruesome atmosphere that fuses gore with emotional conflict. While lighter, prankish notes are absent, the film achieves effective gross-out guignol and leaves questions about how to kill the Deadites, offering a darker, more serious addition to the franchise.

Nolan's The Odyssey earns ecstatic early praise as IMAX spectacle
entertainment3 months ago

Nolan's The Odyssey earns ecstatic early praise as IMAX spectacle

Early reactions to Christopher Nolan’s three-hour The Odyssey are largely ecstatic, praising its IMAX-scale ambition, stunning production design, and strong performances (notably Pattinson and Damon), while some critics note pacing dips; with a $250 million budget, the film aims for about $500 million to break even as cinema rebounds.

Enola Holmes 3 grows up, confronts colonialism, as Minions and Romería anchor a varied summer slate
entertainment3 months ago

Enola Holmes 3 grows up, confronts colonialism, as Minions and Romería anchor a varied summer slate

A Netflix-sized round-up: Enola Holmes 3 matures, pairing a Malta-set adventure with colonial critique and a romance with Lord Tewkesbury; Minions & Monsters leans into cinema-history pastiche with mixed results but shows Illumination’s love of film; John Cena’s Little Brother is a tepid, surface-level comedy about ego and family; Romería is a moving, semi-autobiographical drama about uncovering a family history in Spain, blending past and present through diaries and memory.