All articles tagged with #film festival
At the 2026 Toronto International Film Festival, La Bola Negra won the People's Choice Award, with I Play Rocky and Being Heumann as runners-up; the ceremony also announced juried prizes (Platform Prize, Best Canadian Feature/Discovery, NETPAC, FIPRESCI) and several short-film awards, signaling early momentum for the awards season.
TIFF 2026 spotlights nine bold underdog stories across indie dramas and genre films, with standout performances and inventive storytelling—from Werner Herzog’s Bucking Fastard and Chris Rock’s Misty Green to River’s high-profile horror and The Life and Deaths of Wilson Shedd’s unflinching moral drama—showcasing a festival that rewards daring, character-driven cinema over big-budget blockbusters.
IndieWire’s Screen Talk breaks down Telluride and Venice, noting Telluride’s crowd-pleasers like Cannes picks Club Kid and La Bola Negra, strong acclaim for Tender Loving Care, and ongoing Oscar chatter sparked by Fjord; You Can See Everything drew ecstatic audience reaction in Telluride, while Primetime split critics and fans. Venice offered fewer sure contenders but notable titles such as Possible Love, NAZA, Everest: The Other Side, and Woman Unknown, with Bunker generating tepid reviews. The festivals’ reactions continue shaping the fall awards race ahead of TIFF/NYFF.
Barbara Eden, 95, says she’s “okay” after canceling her Cinecon Classic Film Festival appearance due to a doctor-prescribed medication side effect; the Cinecon Legacy Award was accepted on her behalf by Pat Boone, and she expects to be back out soon, noting it’s a speed bump rather than a setback and fondly recalling her iconic I Dream of Jeannie role.
Barbara Eden, the 95-year-old I Dream of Jeannie star, canceled her in-person appearance at Cinecon 62 Classic Film Festival due to a sudden illness, but the festival will still honor her with the Cinecon Legacy Award, accepted on her behalf by Pat Boone; Eden’s seven-decade career has made her a TV and film icon.
Telluride’s 53rd festival unveiled a 60+ title lineup that positions the event as an Oscars bellwether, mixing Venice premieres like Danny Boyle’s Ink with a strong slate including John Malkovich in Wild Horse Nine, Andrew Scott in Elsinore, Mike Leigh’s Tender Loving Care, and Jesse Eisenberg’s The Debut (Julianne Moore); the program also features restorations (Beau Geste, Begotten), documentaries, and a host of notable guests and tributes, all amid logistical hiccups from a mudslide at The Palm venue.
Maggie Gyllenhaal critiques the Venice Film Festival for its scarcity of female directors this year, using the moment to spotlight ongoing gender imbalance in major festival lineups; the piece also weighs the role of politics in festival press conferences, noting debates about whether Q&As should address politics and contrasting Berlin’s push to minimize political questions with Venice’s evolving approach.
Venice’s glamour is celebrated with a retrospective of 54 iconic red-carpet gowns from past editions, featuring stars such as Florence Pugh, Zendaya, Anya Taylor-Joy and Taylor Russell in creations from Valentino, Balmain, Dior, Gucci and Schiaparelli as the festival headlines this season.
At Venice Immersive’s 10th edition, David Bowie: Unseen Unheard — a 3D, eight-screen, 84-speaker immersive portrait assembled from hundreds of unseen images — debuts among 69 XR works, highlighting how extended reality is expanding storytelling beyond traditional cinema with broader distribution potential.
Black celebrities and industry figures have converged on Martha’s Vineyard for the Martha’s Vineyard African American Film Festival, attending screenings, panels, and lavish events; notable attendees include Ruth E. Carter, Floyd A.B. Rance III, Courtney B. Vance, LeToya Luckett, Lonnie Ali, Joy Reid and DeSean Jackson, among many others as the festival runs this summer.
TIFF's 51st edition (Sept 10–20, 2026) announced its Gala Presentations and Special Presentations lineups, headlined by Closing Night Villeneuve: The Rise of a Legend. The Galas feature a global slate with world and North American premieres from acclaimed international directors, including names such as Almodóvar, Boyle, Kore-eda, Mungiu, Rock, and Zvyagintsev, among others, and the lineup spans nearly 30 countries. The Special Presentations program adds additional high-profile titles from around the world. The inaugural TIFF Market runs Sept 10–16, and TIFF Takeover events are planned for July and August to reveal further titles and programming.
Karlovy Vary International Film Festival’s 60th edition opens with a star-studded set of festival trailers featuring Johnny Depp, Mel Gibson, Helen Mirren and other icons; the black-and-white shorts directed by Ivan Zachariáš celebrate past honorees and build buzz for the Czech festival running July 3–11.
Focus Features/Blumhouse’s Obsession has climbed to about $286.5M worldwide after TIFF Midnight pickup, surpassing Blair Witch Project’s final global gross. Domestically it’s at $188.3M (with a $34.1M fifth weekend) and overseas $98.1M. The film, a horror romance directed by Curry Barker and starring Nikki/Navarrette, is now the highest-grossing 18‑rated horror ever, highlighting a stronger festival-to-market trajectory for genre titles.
Rolling Stone’s Cannes 2026 rundown highlights ten standout titles—from Hamaguchi’s All of a Sudden and Sorogoyen’s The Beloved to Club Kid and a director’s cut of Ken Russell’s The Devils—along with several strong restagings and bold new voices (Ben’imana, Fatherland, Maverick: The Epic Adventures of David Lean, Minotaur, Paper Tiger, Teenage Sex and Death at Camp Miasma). The piece underscores intimate character studies, sharp satire on moviemaking, and restorations that resonate today, while noting honorable mentions and brisk industry buzz around acquisitions and next-year anticipation.
The Hollywood Reporter’s critics’ picks crown the 20 best films from Cannes 2026, spanning Competition, Directors’ Fortnight and Critics’ Week, and highlighting a diverse lineup—from intimate dramas and ambitious epics to bold genre fare—led by standout entries from Ryusuke Hamaguchi and Paweł Pawlikowski.