Penn to helm film centered on Capitol riot police officer
Sean Penn will direct a feature focusing on a police officer involved in the January 6 Capitol riot.
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Directing
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DGA Pact Reserves TV Directing Slots as Slump Pinches Jobs
The Directors Guild of America struck a tentative four-year contract with AMPTP that includes a provision to limit episodic directing to members with directing experience, in an effort to protect career TV directors amid a roughly 40% downturn in TV production jobs. The deal also boosts health-plan contributions, increases streaming residuals, and adds AI safeguards (including director control over AI-generated footage and required transparency). It calls for a committee to study non‑North American production and for top studio executives to help lobbying for a federal production tax incentive, while continuing to support directors building AI skills. The contract still needs member ratification.
Duplass shoots down Backrooms directing rumors about Kane Parsons
Mark Duplass publicly refutes online rumors that Kane Parsons didn’t direct Backrooms, insisting Parsons was intensely prepared and in full creative control with a strong crew. Parsons was 19–20 during filming and benefited from mentors and notable producers around the project.
Duplass Defends Kane Parsons, Saying Backrooms Director Was 100% In Charge
Mark Duplass publicly pushed back on a rumor that Kane Parsons didn’t direct A24’s horror film The Backrooms, saying on X that Parsons was “100% in control” on set and more in command than many directors three times his age. The film, based on Parsons’ YouTube series, stars Chiwetel Ejiofor, Renate Reinsve, Finn Bennett and Lukita Maxwell, with producers James Wan, Shawn Levy and Osgood Perkins. Parsons has said the production built about 30,000 square feet of the Backrooms set and ran extensive wallpaper tests to nail the look.
Gyllenhaal On Directing Brother Jake and Embracing Envy
Maggie Gyllenhaal says she waited until she was certain about asking her brother Jake Gyllenhaal to appear in a cameo for her Gothic romance The Bride!, describing the moment as emotional; she also discusses her fascination with envy and how she learned to see competitive feelings as overlapping rather than competing, noting there’s “enough to go around.” The Bride! hits theaters March 6 and stars Jessie Buckley, Christian Bale, Peter Sarsgaard, Annette Bening and Penélope Cruz.
Anderson Wins DGA’s Top Directing Prize, Honors Late Adam Somner
Paul Thomas Anderson won the DGA Award for Outstanding Directorial Achievement in Theatrical Feature Film for One Battle After Another at the Beverly Hilton, marking a strong Oscar predictor. He paid a moving tribute to producer and longtime first AD Adam Somner, who died in 2024, and reflected on filmmaking’s collaborative spirit and Spielberg’s influence. This was Anderson’s third DGA nomination, and the ceremony highlighted the link between DGA and Oscar outcomes, with contenders like Ryan Coogler, Chloé Zhao, Guillermo del Toro, and Josh Safdie also in the mix.
Kristen Stewart: from Twilight stardom to directing and a louder feminist voice
Kristen Stewart discusses aging as a source of calm, her shift from Twilight to arthouse work, and her directorial debut with The Chronology of Water, detailing an eight-year funding journey; she argues female actors are treated like puppets, champions women’s perspectives behind the camera, and signals she may make more films in Europe than in the U.S.
Woody Allen Praises Donald Trump’s Acting Skills and Desire to Collaborate Again
Woody Allen expressed interest in directing Donald Trump again, praising his professionalism and acting skills during their 1998 film 'Celebrity,' despite their political differences and Allen's support for Kamala Harris in 2024.
Elisabeth Moss Reflects on the Fitting Finale of ‘The Handmaid’s Tale’
Elisabeth Moss reflects on her nine-year journey with 'The Handmaid's Tale,' her evolving role from star to producer and director, and how motherhood has deepened her connection to the series' themes of women fighting for their children. She discusses the show's impactful finale, her future projects, and the significance of the series' ongoing relevance and her personal growth within it.
Olivia Wilde Critiques Social Media's Impact on Film Artistry
Olivia Wilde, speaking at the Red Sea Film Festival, expressed concerns about social media's impact on filmmaking, arguing it pressures directors to choose between being celebrities or artists. She emphasized the importance of focusing on authentic storytelling rather than seeking widespread approval, and shared her personal journey from acting to directing, highlighting her commitment to making films as an art form.
Ridley Scott's Relentless Drive: New WWII Film and More Projects Ahead
Ridley Scott, the iconic director known for films like 'Alien' and 'Blade Runner,' remains highly active in the film industry at 87, with recent projects including 'Gladiator II' and 'Napoleon.' Despite starting his Hollywood career later than peers like Spielberg and Lucas, Scott has maintained a prolific output, driven by his passion for filmmaking. He dismisses the idea of retirement, citing his love for the craft, and continues to work on new projects, including a Bee Gees biopic and TV adaptations of his films. Scott reflects on his career, the importance of creative control, and his enduring influence in cinema.
"Alex Garland's 'Civil War': A Thought-Provoking Box Office Triumph or Irresponsible Obviousness?"
Alex Garland, director of "Civil War," discusses the controversy surrounding the film, his decision to step away from directing, and his upcoming projects. He explains his approach to screenwriting and directing, emphasizing the importance of preserving the intended meaning of scenes. Garland also addresses the ambiguity in his films and the subjective nature of audience interpretations, highlighting the value of open-ended storytelling.
"Julia Stiles: A Look Back 25 Years After '10 Things I Hate About You'"
Julia Stiles, known for her role in "10 Things I Hate About You," has ventured into directing with her upcoming film "Wish You Were Here" while also embracing motherhood. Stiles, who recently had a baby, believes that being a parent has prepared her for directing by teaching her time management and sensitivity to others' needs. She expressed excitement about her new role as a director and shared how she's learning to assert herself in the position.
"Jason Momoa's Guinness Journey: From Directing Commercials to Discovering His Irish Roots"
Jason Momoa fulfills a dream by co-directing and starring in a new Guinness commercial, expressing his long-standing love for the brand and the experience of working with his production company and family on the project. He discusses his passion for Guinness, his approach to directing, and the joy of working on the comedy film "Minecraft" in New Zealand. Momoa also shares his pride in seeing "Dune: Part Two" and praises director Denis Villeneuve, expressing excitement for the future.
"Unveiling the Truth: Behind the Scenes of Truman Capote's Feud"
Gus Van Sant, known for directing films like Drugstore Cowboy and Good Will Hunting, directed six episodes of the anthology series Feud: Capote vs. the Swans. The stylistic peak of the series is the third episode, "Masquerade 1966," which portrays the planning and execution of Truman Capote's Black and White Ball at the Plaza Hotel. Van Sant and his collaborators shot the episode in the style of 1960s documentarians, emulating the Direct Cinema aesthetic. The director discusses his approach to directing the episode and his career-long interest in experimenting with form and capturing reality in his films.