All articles tagged with #parody
Rosie O'Donnell wrapped her Jimmy Kimmel Live! guest-host week with a political musical send-off, riffing on Donald Trump with mock nicknames and closing with a Danny Boy parody urging him to resign.
The White House released an AI-generated parody of Nicole Kidman’s AMC Theatres ad, replacing “magic” with “MAGA” in a one‑minute clip set in the White House, featuring a faceless, Trump‑esque figure. The piece frames the spoof as partisan ridicule aimed at liberal viewers, noting it comes years after the original ad and its SNL parody.
The article surveys how brands responded to Sony's announcement that PS games will no longer ship on discs from January 2028, illustrating a spectrum from satire to serious defense: Nintendo teased humor on X, KFC Spain delivered a well-timed, audience-aware parody, and Domino’s offered a digital-pizza joke. Others like ProtonVPN and Malwarebytes proposed quirky stunts, while retailers such as GameFly defended physical media and brands like Iam8bit and Delorean joined the conversation. Overall, the responses show brands leveraging gamer culture to shape the narrative around the shift to digital-only gaming.
The Onion is rolling out a new Infowars parody on its own site, kickstarting the effort with $100,000 from merchandise sales to Sandy Hook families and plans for additional shows and content spoofing Alex Jones’ platform while pursuing control of Infowars’ assets through the courts.
Comedian Randy Rainbow released a new parody of Cole Porter’s “It’s De-Lovely” skewering Donald Trump and his fitness for office, blending humor with political commentary. The Daily Kos Community post also includes a fundraising appeal from the site alongside the parody.
Profile of Mel Brooks, born in Brooklyn a century ago, whose WWII service helped forge his fearless, boundary-pushing humor; from the 2,000 Year Old Man with Carl Reiner to landmark films such as The Producers, Blazing Saddles and Young Frankenstein, he reshaped parody cinema and earned an Oscar, Emmy, Grammy and Tony, remaining a defining force in American entertainment as he turns 100.
Patagonia sued Pattie Gonia (Wyn Wiley’s drag persona) in January 2026 over trademark applications for Pattie Gonia-branded clothing and related services, arguing the move could confuse consumers and dilute Patagonia’s brand identity. Pattie Gonia has pushed back, framing the suit as an attack by a corporation on activist work. Legal experts say parody has strict limits and that Pattie Gonia’s merchandise may not clearly qualify as parody; still, experts note a real risk of consumer confusion and brand dilution. The disputes hinge on trademark law and the boundary between activism and commerce, with analysts suggesting a quick settlement—potentially Pattie Gonia withdrawing applications and halting Pattie Gonia-branded products—as Patagonia seeks a resolution that preserves both brands’ environmental aims. The case spotlights the tension between brand protection and activist branding in the outdoor industry.
Stop! That! Train! is a 92-minute disaster-movie spoof directed by Adam Shankman, led by RuPaul and Drag Race alumni in lead roles. The plot follows Tess and DeeDee aboard the Glamazonian Express as they contend with a runaway train and a killer storm, delivering pun-heavy slapstick and broad humor that avoids jokes about race or religion to reach mainstream audiences. Filmed in 19 days with celebrity cameos, the movie arrives amid ongoing drag culture debates, aiming to present drag as joyful and human rather than a political flashpoint.
Michael Tiddes' Scary Movie 6 is a crude, scattershot spoof that aims for chaos over wit, delivering a few absurd moments but largely relying on offensive, regressive jokes about queer people and politics; it lacks a coherent point of view and feels out of touch, earning a weak 2.5/10.
Tim Heidecker, as creative director, is leading The Onion’s bid to take over Infowars and transform the platform into a satire-driven comedy hub rather than a propaganda outlet. With a Texas court weighing the deal and a May 28 hearing upcoming, Heidecker envisions adopting a Jones-inspired persona to mock the host and reframe the site’s meaning, while other Onion alumni join the project and merch sales help fund Sandy Hook families; the plan could broaden from direct parody to a wider comedy platform by autumn as Jones fights back publicly.
A live Broadway take on Apple TV’s Schmigadoon! borrows Brigadoon and other Golden Age scores to create a self-aware parody, with Alex Brightman and Sara Chase leading a town that traps lovers until true love is found; director-choreographer Christopher Gattelli guides a witty Act 1 and a more imaginative Act 2, with cameos from Ana Gasteyer et al. The reviewer suggests condensing Season 1’s arc for clarity and questions long‑term viability, but calls the production an exuberant, entertaining meta-musical spoof.
Satirical site The Onion has proposed a six-month licensing arrangement to publish its own parody content on Infowars’ platforms, a plan requiring court approval after a prior bid to buy Infowars was rejected. The move comes as Infowars faces liquidation following a defamation ruling against Alex Jones related to the Sandy Hook massacre. Jones says he will fight the proposal, while The Onion says profits would go to the Sandy Hook families if approved and envisions creating characters to lampoon conspiracy-theory personalities.
Chicago-based The Onion has reached a deal to license Alex Jones’ InfoWars for six months at $81,000 per month, with an option to renew, aiming to turn the site into a parody of far-right conspiracy outlets. Tim Heidecker will be Creative Director, merchandise profits will go to Sandy Hook families, and the arrangement awaits court approval while Jones continues to run InfoWars for now.
The Onion plans to lease Alex Jones’s Infowars for six months at $81,000 a month through its Global Tetrahedron ownership to turn the site into a parody, with Tim Heidecker as Infowars’ creative director; the deal, previously blocked by a Texas judge, now awaits Maya Guerra Gamble’s approval, while Jones continues to operate Infowars amid a $1.4 billion defamation judgment and potential appeals.
Rolling Stone reports The Late Show spoofed Pope Leo XIV in a Kendrick Lamar–style diss track aimed at Trump, featuring Epstein references and a satirical Holy See vs. White House confrontation.