All articles tagged with #science fiction
Ryan Gosling has been tapped to star in the Daniels’ next project for Universal Pictures, an untitled sci-fi action-comedy produced under the Playgrounds banner with Jonathan Wang. The film is set to begin production this summer and hit theaters on November 19, 2027. Details about the plot are being kept under wraps, but the casting follows Gosling’s strong box-office momentum, including the debut success of Project Hail Mary.
The Hollywood Reporter argues that Project Hail Mary has generated unusually pervasive online discussion—from debates about its political themes and scientific portrayal to praise for its bold, non‑IP marketing and Gosling’s promotion, signaling a fresh, engaging entry that broadens interest in space and sci‑fi.
LA Times critic Amy Nicholson calls Project Hail Mary a charming, humor-forward space rescue led by Ryan Gosling’s endearing Grace and a goofy alien, pairing The Martian–style problem-solving with small, humane moments and a hopeful tone, even as the plot stretches toward a few overlong finales.
Early reviews for Amazon MGM’s Project Hail Mary praise it as an entertaining, old-school sci‑fi blockbuster led by Ryan Gosling, with accessible science, impressive practical effects, and a heartfelt story, suggesting strong box-office potential.
Ryan Gosling leads a breezy, brainy space epic adapted from Andy Weir’s Project Hail Mary, blending mind‑stretching science with a buoyant alien partnership in a two‑and‑a‑half‑hour, action‑light blockbuster that emphasizes knowledge and collaboration over combat.
Variety’s Owen Gleiberman calls Project Hail Mary a lavish, entertaining space epic: Gosling delivers a relatable, charming performance as a lone scientist and an onboard alien buddy adds warmth, but the movie is overlong and too derivative of Interstellar and other sci‑fi hits, with a padded finale and a formulaic emotional arc that undercuts its buzzy spectacle.
After highlighting Netflix's War Machine, Tom's Guide curates five more explosive sci‑fi action titles to stream on Netflix this weekend: Independence Day, Godzilla Minus One, Upgrade, Elysium, and Jurassic World, delivering a mix of alien invasions, monstrous battles and AI-driven vengeance.
Dan Simmons, the award-winning author of Hyperion and The Terror, died in Longmont, Colorado on February 21 at 77, surrounded by his wife and daughter. A versatile writer across horror, thrillers and science fiction, he won Hugo, World Fantasy and Locus awards, and The Terror was adapted into a 2018 TV series. A former elementary school teacher, his career spanned more than 30 novels and cross-genre storytelling that defied formulaic norms.
The article examines how films set in 2026, such as 'Doom,' 'Planet of the Apes,' and 'Metropolis,' reflect societal fears and hopes about technology, climate, and social inequality, revealing both warnings and misconceptions about our future.
This article reviews three recent science fiction novels by William Alexander, Claire North, and qntm that explore emerging technologies and uncharted worlds with enthusiasm, highlighting the genre's ability to present wild ideas and fresh perspectives.
Ian McEwan's novel 'What We Can Know' is a multifaceted work blending science fiction, mystery, and literary exploration, praised as one of his best recent works, examining themes of climate catastrophe, history, and personal relationships.
'The Copenhagen Test' is a complex, twisty sci-fi spy series led by Simu Liu, involving mind hacking and surveillance, with engaging performances but a convoluted plot that may challenge viewers' understanding, leaving open the possibility of a second season.
Rhea Seehorn discusses her role in the hit show Pluribus, her experiences working on it, and the challenges of portraying her character, Carol Sturka, in a complex sci-fi series created by Vince Gilligan, which has become Apple TV's most-watched show.
The article criticizes the third Avatar movie, describing it as disappointing and poorly made, especially compared to the original film which was praised for its epic visuals and storytelling. The reviewer reflects on the franchise's initial success and expresses regret for watching the latest installment, highlighting a decline in quality and engagement.
Rhea Seehorn discusses the complex and manipulative nature of Carol's kiss with Zosia in 'Pluribus,' highlighting the emotional depth and ambiguity of the scene amid themes of isolation and collective influence. The scene reflects Carol's fragile state and the ambiguous intentions behind the collective's actions, leaving viewers questioning the authenticity of the romance.