Tag

Vfx

All articles tagged with #vfx

entertainment2 days ago•5 min saved

Emilia Clarke Laughs Off Secret Invasion Fallout as MCU’s Big Misstep

Emilia Clarke, who played G’iah in Secret Invasion, tells Variety she’s sorry for the series and laughs at its reception, calling it one of the MCU’s biggest missteps. The show’s criticism focused on surprising deaths (like Maria Hill), murky plotting, and opening credits revealed to be created with generative AI, with the finale’s overpowered visuals drawing particular ire. Clarke stresses she doesn’t take fan reaction personally, notes she chooses projects she wants to pursue, and suggests G’iah’s story is unlikely to be revisited in the MCU.

via comicbook.com|

#emilia-clarke #entertainment #generative-ai

entertainment17 days ago•13 min saved

Marvel Releases BTS Photos to Debunk Viral Punisher VFX Moment

Marvel and Disney released behind-the-scenes photos for Punisher: One Last Kill to confirm that a viral scene with an odd unfinished-VFX look was staged; Bernthal and a stunt double swapped positions during filming, and a 3D model of Bernthal’s face was used in some takes. The shot was an intentional part of the production, and the perceived CGI quirks stem from how the footage was captured and edited. The special is set before Spider-Man: Brand New Day and marks Bernthal’s fourth MCU turn as the Punisher (with Brand New Day being his first feature film).

via Kotaku|

#behind-the-scenes #entertainment #jon-bernthal

entertainment19 days ago•16 min saved

Punisher: One Last Kill Sparks Online Mockery Over Unfinished VFX and Audio

Disney+'s The Punisher: One Last Kill drew online ridicule for an unfinished-looking VFX moment—Frank Castle's fall resembled a PS3-era cutscene—while fans complained of low dialogue in the audio mix. Disney+ acknowledged the audio issue and said a fix is in progress. A production source says the stunt was performed in-camera with Jon Bernthal and a stuntman handling the impact, with some VFX including swapping the stuntman's face for Bernthal's. Despite the hiccup, the special has been well-received overall (86% on Rotten Tomatoes, 91% audience) and continues The Punisher storyline in upcoming projects like Daredevil: Born Again and Spider-Man: Brand New Day.

via The Hollywood Reporter|

#audio #disney-plus #entertainment

entertainment1 month ago•6 min saved

Tiny World, Real Sets: The Miniature Wife’s VFX Revelation

Verge’s interview with VFX supervisor Ashley Bernes explains how Peacock’s The Miniature Wife creates a 12:1 scaled world (Lindy about 5.5–6 inches) using a real dollhouse set, life-size tiny props, and a blend of practical in-camera work with CG across multiple VFX vendors. The show aims to feel grounded in real physics and avoids overreliance on AI, while balancing dark humor with the wife’s interior perspective as she navigates a world made terrifying by ordinary objects. The series premieres on Peacock on April 9.

via The Verge|

#elizabeth-banks #entertainment #miniature-wife

entertainment8 months ago•1 min saved

Smiling Friends Team Opens New Animation Studio in L.A.

The creators of 'Smiling Friends' have launched Zam Studios in Los Angeles, focusing on high-quality animation, VFX, and production services, including work on the show's third season which features diverse animation techniques.

via Deadline|

#animation #entertainment #los-angeles

technology2 years ago•1 min saved

"DNEG Secures Exclusive Ziva Technologies License from Unity for VFX"

Visual effects house DNEG has acquired the exclusive license to Ziva from Unity, integrating the Ziva toolset into their technology stack to enhance digital character and creature work for film, TV, gaming, and immersive experiences. This move aligns with DNEG's strategy of investing in technology and supports their launch of DNEG IXP, enabling the creation of feature film-quality digital characters and creatures in gaming and immersive environments. The acquisition also brings a significant proportion of the Ziva team onboard, further strengthening DNEG's position in the industry.

via Variety|

#dneg #immersive-experiences #technology

entertainment2 years ago•6 min saved

"Godzilla's Oscar-Winning VFX: Embracing '90s Techniques"

Godzilla Minus One won the Academy Award for Best Visual Effects, marking the first win for the franchise after 70 years. The film's success highlights the importance of a director's strong artistic vision and a distinctive approach to CG effects, challenging Hollywood's denigration of visual effects artistry. Director Takashi Yamazaki's hands-on involvement and appreciation for VFX as integral components of the film contributed to the movie's stunning visual effects, emphasizing the need for purposeful planning and careful execution of digital effects in filmmaking.

via IGN|

#entertainment #godzilla #hollywood

entertainment2 years ago•1 min saved

"Godzilla Minus One: Oscar-Winning VFX and Crew Style"

Godzilla Minus One, the latest installment in the Godzilla franchise, made history by winning the Oscar for best Visual Effects at the 2024 Academy Awards, marking the franchise's first nomination and win in its nearly 70-year history. Directed by Takashi Yamazaki, the film's success at the box office has sparked discussions about a potential sequel, as Yamazaki explores opportunities to work in the West following the movie's monumental success.

via Gizmodo|

#academy-awards #entertainment #godzilla

film2 years ago•1 min saved

"Unveiling the VFX Magic Behind Godzilla Minus One's Oscar-Worthy Spectacle"

A new video released by Toho provides a behind-the-scenes look at the impressive VFX of Godzilla Minus One, showcasing the intricate work behind the movie's Oscar-nominated visual effects, including the creation of water sequences, city recreations, and more with a smaller team than a typical Marvel movie. The video offers insight into the filmmaking process, highlighting the innovative techniques used to bring the film to life, while also emphasizing the movie's captivating visual effects beyond just Godzilla himself.

via Gizmodo|

#film #filmmaking #godzilla-minus-one

entertainment2 years ago•3 min saved

"Godzilla Minus One: The VFX Journey to Oscars History"

"Godzilla Minus One," made on a $15 million budget with 35 VFX artists, has made Oscars history as the first Godzilla film to land an Oscar nomination. Director Takashi Yamazaki and his team discussed the challenges and innovations behind the film's visual effects, including the emphasis on water scenes and the involvement of the first woman of color to be nominated for the visual effects Oscar, Kiyoko Shibuya. Despite not having a phase one campaign, the film has garnered attention in the Oscar race for visual effects.

via Variety|

#entertainment #godzilla-minus-one #oscars

entertainment2 years ago•2 min saved

"Wicked Movie's Growing Controversy: Star Wars Problem and Hilarious Observations"

The long-awaited film adaptation of the Broadway musical "Wicked" is set to premiere in November 2024, but the trailer has raised concerns about the use of visual effects and lighting, particularly in relation to the Star Wars Universe. The trailer's flat and desaturated colors, attributed to extensive visual effects, have sparked worries about a growing trend in movies, including Star Wars, where scenes are either overly dark or bright but dull. Director Jon M. Chu's efforts to create a lifelike world for "Wicked" have not fully addressed the issue, prompting concerns about the future of VFX-reliant blockbusters.

via Inverse|

#entertainment #jon-m-chu #movie-industry

labor-and-employment2 years ago•4 min saved

'Avatar' VFX Artists Overwhelmingly Vote to Unionize with IATSE

VFX artists working on the 'Avatar' film series have voted to unionize with the International Alliance of Theatrical Stage Employees (IATSE) with overwhelming 75% support, marking the first unionization of 'vendor-side' VFX artists in the United States. The move follows successful efforts across the industry, signaling a new era in VFX where workers' contributions and value are recognized, and they can win the same rights and protections as their union co-workers. The unionization aims to secure more equitable compensation, benefits, and sustainable work conditions for VFX artists.

via IATSE|

#avatar #iatse #labor-and-employment

entertainment2 years ago•2 min saved

Disney's Loss in 'Beauty and the Beast' Profits Trial Over Stolen VFX Tech Results in Minimal Payout

Disney has lost a copyright infringement case over the use of VFX technology in the film Beauty and the Beast. A jury awarded VFX company Rearden approximately $600,000 in damages, with $350,000 meant to claw back profits attributed to the use of the technology. Rearden had sought over $100 million in damages, claiming that the film's success was due to their VFX work. The case revolved around whether Disney should be held liable for the alleged infringement by its partner company, DD3. The verdict suggests that the jury did not credit a significant portion of the film's box office earnings to the VFX work performed by Rearden's technology.

via Hollywood Reporter|

#beauty-and-the-beast #copyright-infringement #disney

entertainment2 years ago•7 min saved

Disney Faces Legal Battle Over VFX Software in Beauty and the Beast Trial

Disney is facing a trial over allegations of improperly using MOVA Contour Reality Capture technology in movies such as Beauty and the Beast, Guardians of the Galaxy, and multiple Avengers installments. The lawsuit revolves around the ownership and licensures of MOVA, with Disney being sued for vicarious liability. The trial will determine whether Disney should be held responsible for DD3's alleged infringement of MOVA. The outcome of the trial may impact a portion of Disney's profits for Beauty and could potentially lead to another trial involving Avengers: Infinity War and Avengers: Endgame.

via Hollywood Reporter|

#beauty-and-the-beast #disney #entertainment

entertainment2 years ago•7 min saved

"Disney's VFX Trial Threatens 'Beauty and the Beast' Profits"

Disney is facing a trial over the alleged improper use of MOVA Contour Reality Capture technology in its films, including "Beauty and the Beast." The lawsuit claims that DD3, the company Disney partnered with, did not own the technology, leading to confusion around ownership and licensures. The trial will determine whether Disney should be held vicariously liable for DD3's alleged infringement. The outcome could impact a portion of Disney's profits for "Beauty and the Beast" and potentially lead to another trial involving "Avengers: Infinity War" and "Avengers: Endgame."

via Yahoo Entertainment|

#beauty-and-the-beast #disney #entertainment