All articles tagged with #sound design
Blunt says she was terrified of using AI for a pivotal four-minute oner in Steven Spielberg’s Disclosure Day, so she avoided AI and instead used a range of strange, non‑AI sounds (clicking, humming, breathing) captured with on‑set microphones and a dedicated sound designer to produce her character’s non-human vocal moment during a live weather segment.
Emily Blunt says she’s terrified of AI and chose not to use it for a pivotal four‑minute oner in Steven Spielberg’s Disclosure Day, instead recording the scene’s nonhuman language sounds live with strategically placed mics; the film, which also stars Josh O’Connor, Colin Firth and Eve Hewson, opens June 12.
Nintendo designers were obsessed with perfecting Mii fart sounds for Tomodachi Life: Living the Dream, with some takes deemed too realistic and cut; the audible farts are optional and paired with refined visuals, and the game launches April 16 on Switch with backward compatibility to newer consoles, also adding same-sex and non-binary Miis.
Early hands-on with Lego's Star Wars Smart Play sets shows the bricks' lights and talking sounds largely underdeliver, with generic engine noises and warbling voice samples; the steep entry price (from about $70 for a starter set to around $140–$160 for additional bricks) makes the value proposition doubtful, threatening the technology's momentum unless iteration improves.
Uncanned Music, a Chicago-based company, curates bespoke playlists and designs sound systems for restaurants, bars, and hotels. Born from Gilt Bar and Au Cheval’s early reel-to-reel setups, it now operates nationwide and even internationally, blending analog tech with human-curated playlists and acoustic enhancements to elevate the guest experience and reduce staff decision fatigue.
German director Mascha Schilinski’s Sound of Falling uses a nonlinear, multi-decade narrative and inventive sound design to reveal women’s hidden traumas on a Saxony-Anhalt farm (1910s–2020s); the film has earned Cannes’ Jury Prize, is Germany’s submission for the international feature Oscar, was shot on a modest budget over 33 days on a single farm, and opens in U.S. theaters.
ARC Raiders, ranked sixth in the Game of the Year list, is a highly immersive multiplayer extraction shooter that combines cinematic visuals, excellent sound design, and a balanced risk-reward gameplay loop, offering varied and tense experiences that appeal to both hardcore and casual players.
The article discusses the unique sound design of the film KPop Demon Hunters, highlighting how composer Michael Babcock crafted a rich and harmonious soundtrack that blends K-pop music with a magical, monster-fighting narrative, making the film's world come alive through its complex and creative audio elements.
New scientific research suggests that the iconic dinosaur roars from Jurassic Park are inaccurate, as dinosaurs like the T. rex likely produced low-frequency rumbles rather than the dramatic roars depicted in the film. This revelation challenges filmmakers and educators to create more scientifically accurate representations of dinosaur sounds, potentially transforming how we experience these ancient creatures in media and educational settings.
A new survey reveals that most people prefer non-tonal, white noise-like sounds for electric vehicles over the futuristic, tonal sounds currently being developed by automakers. This preference for more conventional car noises could challenge the industry's current approach to EV sound design, which includes high-profile collaborations with composers and musicians.
Production designer Caty Maxey and the creative team behind "Civil War" created a dystopian America with bombed-out buildings and warring factions, featuring a battle sequence outside the White House shot in Georgia with real military vehicles. Composers Geoff Barrow and Ben Salisbury used a simple guitar cue to set the scene, while sound editor Glenn Freemantle focused on creating dynamic and realistic battle sounds. Costume designer Meghan Kasperlik sought authenticity, consulting former Navy SEAL Ray Mendoza and using unconventional materials to create practical and realistic outfits for the characters.
Director Alex Garland discusses his film "Civil War," emphasizing its reflection of societal anxiety and the subjective nature of journalism. He explains the intention behind the film's neutral portrayal of war and the importance of trust in journalism. Garland also delves into the terrifying sound design of the gunshots, the film's representation of reality, and the detachment he feels from his work once it's released.
"The Matrix" not only revolutionized action films with its incorporation of martial arts choreography and groundbreaking visual effects, but also influenced Hollywood's approach to casting, storytelling, and fashion. The film's success marked a significant shift in the industry and forever altered the craft of choreographing action, post-production sound design, and visual effects. Its influence can be seen in the work of filmmakers and stunt coordinators who continue to blend martial arts styles and push the boundaries of action choreography. Additionally, the film's innovative sound design and CGI effects set new standards for Hollywood, with its impact still felt in the industry today.
The 2024 reimagining of Alone in the Dark offers a creepy and eerie experience with its sound design, drawing inspiration from classic survival horror games. The game features a haunting soundtrack and environmental sound effects that contribute to a sense of dread and unpredictability. While the game's atmosphere and tone are unique, it falls short in terms of visual polish, clunky combat, and a confusing storyline. Despite its flaws, Alone in the Dark 2024 is available on PS5, Xbox Series X/S, and Windows for fans of the genre to explore.
The Oscar-nominated film "The Zone of Interest" has garnered attention for its remarkable soundscape evoking the Holocaust, with sound designer Johnnie Burn's meticulous approach to creating historically accurate and emotionally impactful soundscapes. By drawing upon collective knowledge and using a variety of recorded sounds, Burn has crafted a sonic experience that respects the sanctity of Auschwitz while honoring the memory of those who perished there. The film's sound design has been praised as potentially one of the most significant in cinema, and as awards season reaches its peak, it remains a strong contender at the Academy Awards.