All articles tagged with #venice
Venice's La Fenice opera house dropped incoming music director Beatrice Venezi after months of protests by workers and orchestra members, with calls for Venezi and superintendent Nicola Colabianchi to resign, reflecting political tensions linked to Venezi's reported associations with Giorgia Meloni.
Venice’s Mose flood barriers have kept the city dry since 2020, but faster sea-level rise is forcing talk of a Plan B. Raised activation levels and staggered closures could harm the lagoon’s ecology and cost hundreds of thousands of euros per operation; the Lagoon Authority is seeking global ideas to reinvent Venice’s future beyond tourism to protect its lagoon and heritage.
A new Scientific Reports study evaluates Venice’s options against IPCC sea‑level rise projections and finds no single ‘best’ path. Protective measures like dikes or a wide “super levee” could shield the city up to about 0.5 m of rise at costs ranging from €0.5–4.5 billion (and over €30 billion for a broad barrier), but relocation may be needed beyond 4.5 m of rise after 2300, potentially costing up to €100 billion. Because large defenses take 30–50 years to build, early planning is essential. Venice’s challenges are compounded by its sinking ground (~1 mm/year), storm surges, and the need to balance residents, economy, ecosystems, and heritage in decision making.
European researchers compared four protection strategies for Venice against rising seas—open-lagoon closure with movable barriers, ring dikes, fully enclosing the lagoon by raising barrier islands, or relocating residents and monuments. Their projections show the open-lagoon approach becomes unreliable by around 2300 under even low-emission futures; ring dikes could work but would disrupt lagoon ecosystems and cost €0.5–4.5B; enclosing the lagoon could guard against up to 10 meters of rise but costs €30B+, sacrifices the lagoon ecosystem and port function; relocation is the costliest at about €100B and ends Venice's role as a functioning port. Large-scale projects could take up to 50 years to implement, underscoring the need for early planning.
Researchers map how Venice and its lagoon face escalating sea-level rise, outlining four main adaptation paths—open lagoon with MoSE, ring-dikes, closed lagoon, and retreat—showing the adaptation space shrinking with higher seas, identifying tipping points where transitions become unavoidable, and weighing the trade-offs among monuments, lagoon ecosystems, living culture, and the local economy to stress the need for early, coordinated action and large-scale planning to avoid the most disruptive outcomes.
Venice’s lagoon is being invaded by Mnemiopsis leidyi, the warty comb jelly known as the sea walnut, originally from the western Atlantic and now spreading through the Adriatic likely via ballast water and warmer waters linked to climate change. Scientists warn the invasive jellyfish are proliferating, clogging nets and preying on fish eggs, larvae and plankton, which harms the lagoon ecosystem and threatens the region’s multi‑billion‑euro fishing industry as conditions become increasingly favorable for its spread.
The article previews ten highly anticipated films set to premiere at the 2026 Cannes and Venice Film Festivals, including works by Spielberg, Iñárritu, Fincher, and Villeneuve, highlighting the festival's ongoing importance for global film promotion despite recent box office struggles.
Venice is cracking down on unruly tourists who engage in illegal and disruptive behaviors, such as swimming in canals and causing disturbances, by increasing fines, bans, and implementing a tourist tax to protect its historic sites and residents.
Julian Schnabel's film 'In the Hand of Dante' attempts to explore Dante Alighieri's divine comedy but ultimately feels disjointed and reminiscent of Terry Gilliam's style, with mixed success in its artistic execution.
The review of 'Jay Kelly' at Venice highlights George Clooney's portrayal of an aging movie star in Noah Baumbach's sentimental and somewhat disappointing Netflix drama about the challenges of playing oneself.
Diego Borella, a 47-year-old assistant director on 'Emily in Paris,' died of a heart attack while filming in Venice, Italy, marking a tragic incident during the production of season five.
Diego Borella, an assistant director on Netflix's 'Emily in Paris,' died at age 47 after collapsing from a heart attack while filming in Venice. The production was temporarily halted but resumed after the incident.
Diego Borella, an assistant director on 'Emily in Paris,' died after collapsing on set in Venice, likely due to a heart attack, leading to a temporary suspension of filming, which has since resumed.
Diego Borella, assistant director of Emily in Paris, died at 47 after collapsing during filming in Venice, likely due to a heart attack, leading to the suspension of the show's production.
Emily in Paris Season 5 will premiere on Netflix on December 18, featuring Lily Collins as Emily adapting to life and work in Venice, Italy, with new romantic and professional challenges, and a cast including Philippine Leroy-Beaulieu, Ashley Park, and others.